All Categories
Product Description NEW YORK TIMES BESTSELLING AUTHOR OF A SPY AMONG FRIENDS He is the Napoleon of crime, Watson.He is the organizer of half that is evil and of nearly all that is undetected in this great city.He is a genius, a philosopher, an abstract thinker. . . . --Sherlock Holmes on Professor Moriarty in "The Final Problem" The Victorian era's most infamous thief, Adam Worth was the original Napoleon of crime. Suave, cunning Worth learned early that the best way to succeed was to steal. And steal he did. Following a strict code of honor, Worth won the respect of Victorian society. He also aroused its fear by becoming a chilling phantom, mingling undetected with the upper classes, whose valuables he brazenly stole. His most celebrated heist: Gainsborough's grand portrait of the Duchess of Devonshire--ancestor of Diana, Princess of Wales--a painting Worth adored and often slept with for twenty years. With a brilliant gang that included "Piano" Charley, a jewel thief, train robber, and playboy, and "the Scratch" Becker, master forger, Worth secretly ran operations from New York to London, Paris, and South Africa--until betrayal and a Pinkerton man finally brought him down. In a decadent age, Worth was an icon. His biography is a grand, dazzling tour into the gaslit underworld of the last century. . . and into the doomed genius of a criminal mastermind. Review "Fascinating...a brisk, lively, colorful biography of an amazing criminal." --The New York Times "Adam Worth, the greatest thief of the 19th century, could have furnished the basis of a great novel...Ben Macintyre has given him a biography that reads like one." --Los Angeles Times Book Review A New York Times Notable Book About the Author BEN MACINTYRE is a writer-at-large for The Times of London and the bestselling author of A Spy Among Friends, Double Cross, Operation Mincemeat, Agent Zigzag, The Napoleon of Crime, and Forgotten Fatherland, among other books. Macintyre has also written and presented BBC documentaries of the wartime espionage trilogy. Excerpt. © Reprinted by permission. All rights reserved. The Elopement On a misty May midnight in the year 1876, three men emerged from a fashionable address in Piccadilly with top hats on their heads, money in their pockets, and burglary, on a grand scale, on their minds. At a deliberate pace the trio headed along the thoroughfare, and at the point where Piccadilly intersects with Old Bond Street, they came to a stop. Famed for its art galleries and antiques shops, the street by day was choked with the carriages of the wealthy, the well-bred, and the culturally well-informed. Now it was quite deserted. The three men exchanged a few words at the corner of the street before one slipped into a doorway, invisible beyond the dancing gaslight shadows, while the other two turned right into Old Bond Street. They made an incongruous pair as they walked on: one was slight and dapper, some thirty-five years in age, with long, clipped mustaches, and dressed in the height of modern elegance, complete with pearl buttons and gold watch chain. The other, ambling a few paces behind, was a towering fellow with grizzled mutton-chop whiskers, whose ill-fitting frock coat barely contained a barrel chest. Had anyone been there to observe the couple, they might have assumed them to be a rich man taking the night air with his unprepossessing valet after a substantial dinner at his club. Outside the art gallery of Thomas Agnew & Sons, at number 39, Old Bond Street, the two men paused, and while the aristocrat extinguished his cheroot and admired his own faint but stylish reflection in the glass, his brutish companion glanced furtively up and down the street. Then, at a word from his master, the giant flattened himself against the wall and joined his hands in a stirrup, into which the smaller man placed a well-shod foot, for all the world as if he were climbing onto a thoroughbred. With a grunt the big m