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Product Description This is an examination of "The Night of the Hunter", Charles Laughton's only outing as a film director. It looks at the symbolism of the piece, at Willa, her throat cut sitting in the Model-T Ford, and the Preacher, a silhouetted threat on the horizon. Review "Having written an empathic biography of Laughton, Callow revisits his movie for this luminous monograph, giving a clean, forward-moving account of its origins and creation."--"Uncut 'Simon Callow...has written the book with with a full understanding of its textuality and with knowledge of its subject...some wonderful performances by the children.' - Filmwerk From the Back Cover The Night of the Hunter was Charles Laughton's only film as director. Adapted from a best-selling novel by Davis Grubb, it is part expressionist horror movie, part luminous fairytale, and contains some of the most haunting images in cinema: Willa (Shelley Winters), her throat cut and hair streaming out like seaweed, sitting in a submerged Model T Ford; her children, framed by looming animals, in a downriver flight from Preacher (Robert Mitchum), a silhouetted threat on the horizon. "The Night of the Hunter" is revered today, but it failed on its first release, and Laughton never recovered from the disappointment. Simon Callow explores Laughton's transition between film actor and director, and examines the considerable influence the film has had on subsequent filmmakers such as Neil Jordan and even Callow himself. About the Author In addition to his distinguished career in the theater, Simon Callow has appeared in the films Amadeus, A Room with A View, and Four Weddings and a Funeral. He is also the author of Charles Laughton: A Difficult Actor, Shooting the Actor, and Orson Welles. He lives in London, England.