X
Category:
Music
Rock
Limelight: Rush in the ’80s
Limelight: Rush in the ’80s

Limelight: Rush in the ’80s (Rush Across the Decades, 2)

Product ID : 48046229


Galleon Product ID 48046229
Shipping Weight 1.08 lbs
I think this is wrong?
Model
Manufacturer
Shipping Dimension 8.74 x 5.71 x 0.91 inches
I think this is wrong?
-
1,872

*Price and Stocks may change without prior notice
*Packaging of actual item may differ from photo shown
  • Electrical items MAY be 110 volts.
  • 7 Day Return Policy
  • All products are genuine and original
  • Cash On Delivery/Cash Upon Pickup Available

Pay with

About Limelight: Rush In The ’80s

Product Description Part two of the definitive biography of the rock ’n’ roll kings of the North ― covering Rush’s most iconic and popular albums, Moving Pictures and Power Windows Includes two full-color photo inserts, with 16 pages of the band on tour and in the studio In the follow-up to Anthem: Rush in the ’70s, Martin Popoff brings together canon analysis, cultural context, and extensive firsthand interviews to celebrate Geddy Lee, Alex Lifeson, and Neil Peart at the peak of their persuasive power. Rush was one of the most celebrated hard rock acts of the ’80s, and the second book of Popoff’s staggeringly comprehensive three-part series takes readers from Permanent Waves to Presto, while bringing new insight to Moving Pictures, their crowning glory. Limelight: Rush in the ’80s is a celebration of fame, of the pushback against that fame, of fortunes made ― and spent … In the latter half of the decade, as Rush adopts keyboard technology and gets pert and poppy, there’s an uproar amongst diehards, but the band finds a whole new crop of listeners. Limelight charts a dizzying period in the band’s career, built of explosive excitement but also exhaustion, a state that would lead, as the ’90s dawned, to the band questioning everything they previously believed, and each member eying the oncoming decade with trepidation and suspicion. Review “Music critic Martin Popoff delivers an excellent follow-up to his recent Anthem: Rush in the '70s … Die-hard Rush fans will devour this fascinating deep-dive into the band's musically controversial decade.” ― Publishers Weekly, starred review“Popoff's treasure trove of enlightening and entertaining glimpses into the workings of three complex individuals combined into a cohesive unit will appeal to anyone with even a casual interest in Rush … readers will eagerly await the conclusion of this impressive endeavor.” ― Library Journal“One of the keys to success in making this book an interesting read is the interviews conducted with key personnel … As the opportunities to celebrate Rush’s catalogue are getting more and more rare, this book is a must.” ― Sonic Perspectives“Whether it’s nostalgia you’re after, or pure curiosity, Limelight: Rush in the ’80s will make for an excellent addition to your bookshelf.” ― Spill Magazine“Lucky for the reader, Popoff is a stone-cold Rush fan. This is what makes these Rush books, beyond all the many others he has authored, especially wonderful … Limelight: Rush in the ’80s is for the die-hard Rush fanatic and the casual fan alike. Not that anybody should have any doubt, but Martin Popoff delivers once again.” ― VintageRock.com About the Author Martin Popoff is the author of 85 books on music, including four previous titles on Rush. He has also worked on various documentaries for Banger Films, including the award-winning Rush documentary Beyond the Lighted Stage. Popoff has more record reviews published in books than anybody in the history of music writing. He lives in Toronto, Ontario. Excerpt. © Reprinted by permission. All rights reserved. “The right time, the right place, the right song, the right parts.” Pleased with the living/working arrangements for A Farewell to Kings, Rush tried it again for Hemispheres. Pleased with the living/working arrangements for Permanent Waves, Rush tried it again for Moving Pictures. Fortunately, the sequel effort this time didn’t disappoint, and the guys found themselves more Canadian than ever. Living and raising families in Canada, writing on Canadian farms, recording immersed in the Canadian forest, bridging the divide between English Canada and French Canada, winning Junos and paddling canoes . . . Rush were celebrating everything it meant to be Canadian. “We went out to Ronnie Hawkins’s farm, out in the Stony Lake area,” begins Alex, on preparations for the record that would serve as Rush’s Machine Head and Paranoid, or Fragile and Not Fragile, as it were. “I guess it’s just north of Pe