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Can't We Talk about Something More Pleasant?: A Memoir

Product ID : 6405559


Galleon Product ID 6405559
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About Can't We Talk About Something More Pleasant?: A

Product Description #1 New York Times Bestseller2014 NATIONAL BOOK AWARD FINALISTIn her first memoir, New Yorker cartoonist Roz Chast brings her signature wit to the topic of aging parents. Spanning the last several years of their lives and told through four-color cartoons, family photos, and documents, and a narrative as rife with laughs as it is with tears, Chast’s memoir is both comfort and comic relief for anyone experiencing the life-altering loss of elderly parents.When it came to her elderly mother and father, Roz held to the practices of denial, avoidance, and distraction. But when Elizabeth Chast climbed a ladder to locate an old souvenir from the “crazy closet”―with predictable results―the tools that had served Roz well through her parents’ seventies, eighties, and into their early nineties could no longer be deployed. While the particulars are Chast-ian in their idiosyncrasies―an anxious father who had relied heavily on his wife for stability as he slipped into dementia and a former assistant principal mother whose overbearing personality had sidelined Roz for decades―the themes are universal: adult children accepting a parental role; aging and unstable parents leaving a family home for an institution; dealing with uncomfortable physical intimacies; managing logistics; and hiring strangers to provide the most personal care. An amazing portrait of two lives at their end and an only child coping as best she can, Can't We Talk about Something More Pleasant will show the full range of Roz Chast’s talent as cartoonist and storyteller. From Booklist New Yorker cartoonist and prolific author Chast (What I Hate from A to Z, 2011) writes a bravely honest memoir of watching her parents decline, become too frail to stay in the Brooklyn apartment they called home for five decades, suffer dementia and physical depletion, and die in their nineties in a hospice-care facility. Unlike many recent parent-focused cartoon memoirs, such as Alison Bechdel’s Are You My Mother? (2012) and Nicole J. George’s Calling Dr. Laura (2012), in which the story is as much about the cartoonist’s current work and family life as it is about his or her parents, Chast keeps her narrative tightly focused on her mother and father and her own problematic—though not uncommon—guilt-provoking relationships with them. Chast’s hallmark quirky sketches are complemented by annotated photos from her own and her parents’ childhoods. Occasionally, her hand-printed text will take up more than a full page, but it’s neatly wound into accompanying panels or episodes. An unflinching look at the struggles facing adult children of aging parents. --Francisca Goldsmith Review "By turns grim and absurd, deeply poignant and laugh-out-loud funny. Ms. Chast reminds us how deftly the graphic novel can capture ordinary crises in ordinary American lives." - Michiko Kakutani, New York Times"A tour de force of dark humor and illuminating pathos about her parents’ final years as only this quirky genius of pen and ink could construe them." - Elle"An achievement of dark humor that rings utterly true." - Washington Post"One of the major books of 2014 . . . Moving and bracingly candid . . . This is, in its original and unexpected way, one of the great autobiographical memoirs of our time." - Buffalo News"Better than any book I know, this extraordinarily honest, searing and hilarious graphic memoir captures (and helps relieve) the unbelievable stress that results when the tables turn and grown children are left taking care of their parents. . . [A] remarkable, poignant memoir." - San Francisco Chronicle"Very, very, very funny, in a way that a straight-out memoir about the death of one’s elderly parents probably would not be . . . Ambitious, raw and personal as anything she has produced." - New York Times"Devastatingly good . . . Anyone who has had Chast’s experience will devour this book and cling to it for truth, humor, understanding, and the futile wish that it could all be diff