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The Apothecary (The Apothecary Series)
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About The Apothecary
Product Description It's 1952 and the Scott family has just moved from Los Angeles to London. Here, fourteen-year-old Janie meets a mysterious apothecary and his son, Benjamin Burrows - a fascinating boy who's not afraid to stand up to authority and dreams of becoming a spy. When Benjamin's father is kidnapped, Janie and Benjamin must uncover the secrets of the apothecary's sacred book, the Pharmacopoeia, in order to find him, all while keeping it out of the hands of their enemies - Russian spies in possession of nuclear weapons. Discovering and testing potions they never believed could exist, Janie and Benjamin embark on a dangerous race to save the apothecary and prevent impending disaster. Together with Ian Schoenherr's breathtaking illustrations, this is a truly stunning package from cover to cover. Contains a teaser chapter of the sequel, The Apprentices. Review "[The blend of history, culture, and the anxiety of the time with magical 'science' will keep readers just as spellbound as the characters." — Kirkus reviews * "[Readers] will be quickly swept up in this thoroughly enjoyable adventure, filled with magic, humor, memorable characters, and just a bit of sweet romance." — Publishers Weekly, starred review "Satisfies on all levels." — The New York Times "Pitch-perfect." — The Los Angeles Times "Meloy offers a strong narrator in Janie and an intriguing mix of history and mystery." — Booklist About the Author Maile Meloy is the award-winning author of The Apothecary and The Apprentices as well as the adult short story collections Both Ways Is the Only Way I Want It and Half in Love, and the novels Liars and Saints and A Family Daughter. You can visit Maile at www.mailemeloy.com. Excerpt. © Reprinted by permission. All rights reserved. Chapter 2 The Apothecary It’s safe to say I was not graceful about the move to London. I was no witty, patient, adaptable Jane Austen. And if I was anything like Katharine Hepburn, it was in the scenes where she’s being a giant pest. I cried in the taxi all the way to the airport, past the churning oil rigs on La Cienega. I cried on the first airplane I’d ever been on, which should have been exciting, and was exciting—all those tiny buildings below—but I wasn’t going to give my parents the satisfaction of knowing that I was enjoying it. At Heathrow Airport in London, there was a framed picture of the brand-new Queen Elizabeth II on the wall. “She’s not that much older than you are,” my mother said. “And she’s been through a war, and her father’s dead, and now she has to be queen, poor thing.” “See?” my father said. “Your life could be worse.” I looked at the picture of the young queen. We had escaped ahead of the U.S. marshals, locking up the house and packing only the things we could carry. My parents were going to be writing for the BBC under fake names—fake names, when my mother wouldn’t even put yellow food coloring in margarine! We were living like criminals or spies. Although I was angry, standing there looking at the plucky young queen’s portrait, I allowed myself to think that my mother was right, and it might be an adventure. But February in London crushed those hopes. We took a taxi through streets that were still bomb-scarred and desolate, seven years after the war’s end, to a tiny third-floor flat on St. George’s Street in Primrose Hill. Across the street was a haberdasher—my father said he was like a tailor—standing outside his shop with his hands behind his back and a look on his face as if no one would ever come in. Our new landlady, Mrs. Parrish, took off her apron and patted a wild cloud of hair to show us around. She said the gas water heater over the kitchen sink was broken, and we would have to heat pots of water on the stove. The kitchen was along one side of the living room, no bigger than a closet, and could be closed away just like a closet. The rooms were freezing and the walls seemed damp. The brown wallpaper was water-stained near the c
