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About Unflattening
Review “Nick Sousanis’s Unflattening is a complex, beautiful, delirious meditation on just about everything under the sun; a unique and bracing read.”―Scott McCloud, author of Understanding Comics and Making Comics “Nick Sousanis’s Unflattening is a genuine oddity, a philosophical treatise in comics form. ‘Flatness,’ for Sousanis’s purposes, is not the quality of abstraction that Clement Greenberg lauded in modern art, but the lamentable condition of the inhabitants of Edwin A. Abbott’s ‘Flatland’: the inability to understand that there might be more than one can immediately perceive. The solution he proposes is admitting visual elements, and especially drawings, into the intellectual domain of language. (Psst―he’s talking about comics!)”―Douglas Wolk, New York Times Book Review “Ranging across a wide range of disciplines―the arts, the sciences, popular culture, critical theory―Sousanis argues that the verbal and the visual are inextricably entwined in the production of knowledge… It is a book that is dense with the syntheses of ideas, nimble, far-reaching and impossible to summarize. It liberates itself from the standard layout of panels within frames, teaching the eye and mind to read the unfailingly intelligent black-and-white artwork in unconventional and new ways. Unflattening deserves a place as a compulsory textbook in schools.”―Neel Mukherjee, New Statesman “Although the implications are profound, Unflattening is less an insurrection than a carefully argued case for rethinking our priorities about art and learning. Unflattening is above all a humane piece of scholarship which challenges our assumptions about perception.”―Matt Finch, Brooklyn Rail “If you prefer your mind-melt, dimension-bending comics with less costumes and melodrama, Nick Sousanis’ cerebral exploration of psychology and perspective offers a refreshing palate cleanser… Presented with a visual vocabulary that will blow readers minds in the most scholarly way possible.”―Sean Edgar, Paste “Sousanis’s drawings are first rate and his writing style economical. To demonstrate how introducing new vantage points expands our thinking, he explores a range of philosophical concepts, calling on Plato, Copernicus, and even the ‘fifth dimension’ explored in the TV series The Twilight Zone.”―Jan Gardner, Boston Globe “If Scott McCloud’s Understanding Comics charmingly investigated the history, development, and formal features of visual narrative, Unflattening is its equally brilliant epistemological counterpart. With profound depth and insight, Sousanis looks at how the ‘unflattening’ possibilities of this form of storytelling allow us to see the world from entirely new perspectives… Written with remarkable clarity and insight, its sometimes-haunting, sometimes-breathtaking illustrations prove the book’s arguments about how visual information can shape our understanding… Weaving together language, perception, and the theory of knowledge in an investigation of how the multidimensional possibilities of graphic storytelling can awaken us to ways of knowing from multiple perspectives, Sousanis has made a profound contribution to the field of comics studies and to semiotics, epistemology, and the burgeoning study of visible thinking. Essential reading for anyone seeking to create, critique, or consider the visual narrative form.”―Publishers Weekly (starred review) “An important book, Unflattening is consistently innovative, using abstraction alongside realism, using framing and the (dis)organization of the page to represent different modes of thought. The words and images speak for themselves and succeed on their own terms. I couldn’t stop reading it.”―Henry Jenkins, author of Spreadable Media: Creating Value and Meaning in a Networked Society “An incisive meditation on the relationship between text and images.”―David Dabscheck, New York Observer “Entirely non-narrative, the book takes on the dichotomy between words and images in Western thought and argues that b
