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Get it between 2024-11-25 to 2024-12-02. Additional 3 business days for provincial shipping.
Product Description The stories in Igifu summon phantom memories of Rwanda and radiate with the fierce ache of a survivor. From the National Book Award finalist who Zadie Smith says, "rescues a million souls from the collective noun genocide." Scholastique Mukasonga's autobiographical stories rend a glorious Rwanda from the obliterating force of recent history, conjuring the noble cows of her home or the dew-swollen grass they graze on. In the title story, five-year-old Colomba tells of a merciless overlord, hunger or igifu, gnawing away at her belly. She searches for sap at the bud of a flower, scraps of sweet potato at the foot of her parent's bed, or a few grains of sorghum in the floor sweepings. Igifu becomes a dizzying hole in her stomach, a plunging abyss into which she falls. In a desperate act of preservation, Colomba's mother gathers enough sorghum to whip up a nourishing porridge, bringing Colomba back to life. This elixir courses through each story, a balm to soothe the pains of those so ferociously fighting for survival. Her writing eclipses the great gaps of time and memory; in one scene she is a child sitting squat with a jug of sweet, frothy milk and in another she is an exiled teacher, writing down lists of her dead. As in all her work, Scholastique sits up with them, her witty and beaming beloved. Review "Igifu depicts the lives of Rwanda’s Tutsis from their exile in the 1960s to the genocide of the ’90s . . . [Scholastique Mukasonga] mediates the personal through fable to convey the sense of a collective past . . . Mukasonga’s language, in Stump’s translation from the French, is at once intimate and impersonal . . . The devastation in Mukasonga’s stories is only amplified by the short story form." — The New York Times "Haunted though they are by the memory of the unspeakable atrocities visited on her family and her people, these stories by Scholastique Mukasonga breathe upon a vanished world and bring it to life in all its sparkling multifariousness." — JM Coetzee "Mukasonga carefully attends to how individuals’ attempts to negotiate unspeakable tragedy can lead to sad, odd, and even grimly funny situations . . . Igifu is full of deeply human moments. Taken as a whole, it’s an impressive and affecting work of art." -- Publishers Weekly, Starred Review "Reminiscent at times of Iris Origo, Mukasonga writes with world-weary matter-of-factness, her stories understated testimonials to the worst of times. Elegant and elegiac stories that speak to loss, redemption, and endless sorrow." -- Kirkus "Mukasonga has been writing autobiographical stories about her upbringing and Rwanda’s genocide for years, but “Igifu” may be her brightest, most eye-opening work yet." -- LA Times "Mukasonga’s autobiographical short stories about Rwanda plunge the depths of memory and grief, but also love and hope." -- Chicago Review of Books "Mukasonga’s superbly crafted stories leave the reader with a deep sense of desolation, thanks, in part, to her deft use of metaphor...Yet these stories are not devoid of joy and hope. The fortitude and perseverance of the Tutsi women; the bonds that unite neighbors, who put aside grudges and pull together in times of need; the beautiful milking rituals of the Tutsi farmers; the willingness of one woman to raise another’s child, should it be necessary — these particulars leave the reader with profound appreciation for the resilience and generosity of the Tutsi people. With Igifu, Scholastique Mukasonga has written a wonderful and important book, one that will expose most Western readers to unexpected new worlds." — Washington Independent Review of Books "A collection of autobiographical stories set during the Rwandan genocide, Igifu will tear out your heart and piece it back together again. Dealing with themes of poverty, starvation, and death, the stories in Scholastique Mukasonga's new collection will haunt you long after you've finished reading." — Bustle "Mukasonga’s gift lies in illu