All Categories
Product Description PURE BELPRÉ AWARD WINNER • ONE OF TIME MAGAZINE’S 100 BEST YA BOOKS OF ALL TIME • AN ALA-YALSA BEST BOOK FOR YOUNG ADULTS From renowned author Julia Alvarez comes an unforgettable story about adolescence, perseverance, and one girl’s struggle to be free while living in the Dominican Republic under the rule of a dictator. Anita de la Torre never questioned her freedom living in the Dominican Republic. But by her twelfth birthday in 1960, most of her relatives have immigrated to the United States, her Tío Toni has disappeared without a trace, and the government’s secret police terrorize her remaining family because of their suspected opposition to Trujillo’s iron-fisted rule. Using the strength and courage of her family, Anita must overcome her fears and fly to freedom, leaving all that she once knew behind. “A stirring work of art.” — Publishers Weekly, Starred Review “A realistic and compelling account of a girl growing up too quickly while coming to terms with the cost of freedom.” — The Horn Book, Starred Review “Diary entries written by the child while in hiding will remind readers of Anne Frank’s story. . . . Readers will bite their nails as the story moves to its inexorable conclusion.” — SLJ About the Author Julia Alvarez is the award-winning author of How the García Girls Lost Their Accents and In the Time of the Butterflies. Her highly acclaimed books for young readers include The Secret Footprints, A Gift of Gracias, the Tía Lola series, Finding Miracles, and Return to Sender. Alvarez has won numerous awards for her work, including the Pura Belpré and Américas awards for her children’s books, the Hispanic Heritage Award in Literature, and the F. Scott Fitzgerald Award for Outstanding Achievement in American Literature. In 2013, she was awarded the National Medal of Arts by President Obama. She is currently a writer-in-residence at Middlebury College and, together with her husband, Bill Eichner, established Alta Gracia, a sustainable coffee farm/literacy center in the Dominican Republic. Visit her on the Web at juliaalvarez.com. Excerpt. © Reprinted by permission. All rights reserved. Chapter 3 Now that the SIM are gone and the Washburns are living next door, Mami and Papi decide we can go back to school. But first, Mami sits us down. "I don't want you talking about what happened with your friends, she warns. "Why not?" I want to know. Mami quotes one of Chucha's sayings, "'No flies fly into a closed mouth.'" The less said, the better. "And that includes talking to Susie and Sammy," Mami adds, eyeing Lucinda and me. Lucinda has become friends with Sammy's older sister, just as I have with Sammy. Poor Mundín is stuck without a new friend. But he says he doesn't care. Papi is giving him extra responsibility, taking him to work the days we aren't in school. Some nights after supper, Mundín gets to drive the car up and down all the driveways that connect the houses in the compound. "If anything happens to me," Papi says from time to time, ((you're the man of the house." "If he wants to be the man of the house, he's going to have to stop biting his nails," Mami says, breaking the tense silence that follows such remarks. The night before going back to school, I spend a long time picking out my outfit, as if I'm getting ready for the first day of classes. Finally, I settle on the parrot skirt Mami made me in imitation of the poodle skirt all the American girls are wearing. But even after everything is laid out, I feel apprehensive about going back. Everyone will be asking me why I've been absent for over two weeks. I myself don't understand why we weren't able to go to school just because the SIM were on our doorstep. After all, Papi still went to work every day. But Mami has refused to even discuss it. I go next door to Lucinda's room. My sister is setting her hair in rollers. Talk about torture! How can she sleep with those rods in her hair? For her outfit, she also picked out