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Product Description Awarded an Asian/Pacific American Award for Literature Picture Book Honor, this stunning picture book brings to life the imagination of Japanese American artist, Isamu Noguchi.(Cover image may vary.)If you are Isamu, stones are the most special of all.How can they be so heavy?Would they float if they had no weight?Winner of the Theordor Seuss Geisel Award in 2020 for Stop! Bot!, James Yang imagines a day in the boyhood of Japanese American artist, Isamu Noguchi. Wandering through an outdoor market, through the forest, and then by the ocean, Isamu sees things through the eyes of a young artist . . .but also in a way that many children will relate. Stones look like birds. And birds look like stones. Through colorful artwork and exquisite text, Yang translates the essence of Noguchi so that we can all begin to see as an artist sees. From School Library Journal Gr 1–3—In tribute to Japanese American sculptor Noguchi—or, more precisely, his distinctive vision and affinity for natural forms—Yang portrays an introspective child, Isamu, in Japan who steps away while his mother is shopping to seek out quiet places. In a sparely told slow-growth epiphany young Isamu comes to appreciate shapes of leaves and twigs in a park, how every stone large or small is unique in form and character…and at last how what he sees and touches seemed to be waiting for him, as if "forest and beach were like friends giving you a gift." Along with plenty of white space to reflect the narrative's quiet tone the illustrations feature a small, button-eyed figure with black hair and pale skin taking a wandering course past boulders, bamboo stalks, and undulating shorelines that evoke or are even directly modeled after the artist's own works. Readers will get a fuller picture of Noguchi's life from Christy Hale's The East-West House, but Yang notes the connection he shares with the artist, that "alone time" as "the most special time of all." VERDICT Reflective young readers will come away with a deeper feeling for one artist's work, and also how encounters with nature can spark creativity.—John Peters, Children's Literature Consultant, NY Review ★ “A marvel of prose, illustration, and design that invites repeated meditation.” — Kirkus (starred review) ★ “[A]n attentive, balanced study of an artist’s sensibility.” — Publishers Weekly (starred review) ★ “Yang (Stop! Bot!, 2019) renders this imagined biography of Japanese American Isamu Noguchi with the utmost tenderness… This lyrical biography will resonate with creative types of all ages and can easily be incorporated into a curriculum as a springboard for writing, research, and art projects.” — Booklist (starred review) ★ “Yang's lyrical writing and rich vocabulary reads well aloud while providing thoughts to further ponder and discuss, especially for readers in today's busy, noisy world. Though produced in picture book format, the concepts—the need for quiet, introspection, and beauty in nature—will resonate across many grade levels. This is a book for all ages.” — School Library Connection (starred review) ★ “Yang’s text meets child readers on their own level, framing the natural world as a source of curiosity and delight. His digital illustrations feel warm and organic…The book works as both an introduction to a fascinating artist and a tribute to the quiet joys of the natural world.” — The Horn Book (starred review) About the Author James Yang's prize-winning work has appeared in many magazines and newspapers, including Graphis, Newsweek, Forbes, Fortune, the New York Times, and the Wall Street Journal. He is the author/illustrator of Stop! Bot!, Bus! Stop!, Joey and Jet, Joey and Jet in Space, and Puzzlehead. The designer of "Clockman," a sculpture on display at the National Museum of American History, Mr. Yang and his wife live in New York City.