X
Category:
David Grisman / Jerry Garcia
David Grisman / Jerry Garcia

David Grisman / Jerry Garcia

Product ID : 16722389
4.8 out of 5 stars


Galleon Product ID 16722389
UPC / ISBN 715949100222
Shipping Weight 0.18 lbs
I think this is wrong?
Model 2117969
Manufacturer Crimson
Shipping Dimension 5.55 x 4.96 x 0.55 inches
I think this is wrong?
-
2,735

*Price and Stocks may change without prior notice
*Packaging of actual item may differ from photo shown
  • Electrical items MAY be 110 volts.
  • 7 Day Return Policy
  • All products are genuine and original
  • Cash On Delivery/Cash Upon Pickup Available

Pay with

About David Grisman / Jerry Garcia

Amazon.com After nearly dying in 1986, Jerry Garcia not only spiritually revived the Grateful Dead but also rekindled his love for acoustic music. To that end, in 1989 he recorded Almost Acoustic with his 1960s Palo Alto folkie pals and also began collaborating with his longtime friend and mandolin master David Grisman. This 1991 set offers a brilliant assortment of acoustic music that ranges from bluegrass-inspired stomps to B.B. King covers, age-old folk songs, standards by Irving Berlin and Hoagy Carmichael, and an exotic album-ending modal-jazz journey. The playing is stellar throughout, but the mood is warm and welcoming as well. --Marc Greilsamer Product Description Deadheads and Dawgheads both loved this Grammy nominee, which explores every corner of American music-from Irving Berlin's "Russian Lullaby" to B.B. King's "The Thrill Is Gone." The first all-acoustic recording of Jerry's long career also includes "Friend of the Devil," "Rockin' Chair," "Two Soldiers," "Walkin' Boss" and more! Acoustic Disc. In 1986, Jerry Garcia spiritually revived the Grateful Dead and also rekindled his love for acoustic music. In 1989 he recorded Almost Acoustic with his 1960s Palo Alto folkie pals and began collaborating with his longtime friend and mandolin master David Grisman. This 1991 set offers a brilliant assortment of acoustic music that ranges from bluegrass-inspired stomps to B.B. King covers, age-old folk songs, standards by Irving Berlin and Hoagy Carmichael, and an exotic album-ending modal-jazz journey. The playing is stellar throughout, but the mood is warm and welcoming as well.