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About Madrigals
You know I am not a chorus composer although I may have made a few good choral pieces, I always somewhat hesitate whether I should plunge into them. Notwithstanding his humility, Bohuslav Martinu truly loved choral singing. When composing, he mainly drew inspiration from traditional music. He kept returning to the texts from Frantisek Susils collection of Moravian folk songs, a copy of which he always kept with him during his travels. In addition to their rhythmicity and modality, he was fascinated by the archetypal themes they treated, their grace and conciseness, as well as the directness, devoid of metaphysics and pathos, and, above all, the subject of love in a variety of forms happy and ill-fated, unrequited, betrayed The present recording features the complete choral works Martinu intended (according to a number of sources) for chamber formations. Even though created over a great time span, between 1934 and 1959 (the composer only completed the Madrigals shortly before his death), all the pieces attest to the genius and sensitivity with which Martinu was able to handle the folk texts and furnish them with a new musical form simple, spirited and majestic alike. Lukas Vasilek and Martinu Voices have made the best of the autograph scores, getting as close as possible to the composers intentions, in all the articulation and dynamic nuances.
