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About Morricone RMX
Amazon.com Prolific Italian film-scoring legend Ennio Morricone isn't afraid to use contemporary pop idioms in his work but usually eschews them because they become dated so quickly. That shrewd sensibility helps make this collection of remixes by an international slate of dubsters and electronica artists a bit more interesting--and ironic--than it might otherwise be; after all, what music dates quicker than club remixes? Producer Stefan Rambow (Mondo Morricone, the Canto Morricone series) also notably secured Maestro Morricone's approval for the project, giving it an added cachet. But that official blessing may also account for the set's patchy quality. A few of the efforts seem overly conservative--especially given the genre--and hesitant to tweak The Legend too much. Apollo Four Forty and Terra Nova are satisfied to simply overplay the most clichéd elements (twangy guitars, harmonica, oddball percussion) of Morricone's spaghetti Western canon, while the remainder of the set is surprisingly atmospheric and sedate. The elegant melodies of "Chi Mai" sometimes get lost in Nightmares on Wax's groove lite, while Bigga Bush and DJ Dick produce two nicely contrasting takes (rhythmically edgy and languorously dreamy, respectively) of "Clan of the Sicilians" and Thievery Corporation, Tommy Hools, and Ali N. Askin plumb the often haunting dimensions of Morricone's music. Enthusiasts should welcome these mostly fresh takes on his enduring legacy, even if they ultimately prove Il Maestro was usually one step ahead--or completely outside--of the game. --Jerry McCulley
