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About Live At The Glenn Gould Studio
Product Description Originally released in 2007, Live at the Glenn Gould Studio is Harry Manx's eighth album. Produced by Todd Fraracci of the CBC, the recording documents a special concert event entitled Heaven and Earth - Harry Manx and Friends at the Glenn Gould Studio in Toronto. The concert's dazzling array of musicians perfectly complements Manx's style, highlighting his Indian influences and allowing the music to successfully venture all over the world map. Previously recorded material is presented with added dimensions, producing new revelations that occur with each listen. Review Harry Manx has been gently courting his audience with his Indian-inspired take on the blues, a marriage of Eastern music to Western, creating a niche that has more to do with world music than anything else more limiting. His success has been built on the back of his instrumental prowess on his weapon of choice: the 20-string mohan veena, which subtly blends Eastern sounds to blues-friendly turf. On his eighth release, Harry ups the ante with the addition of two members of Toronto-based world music ensemble Tasa. You can almost hear the audience buying some time, clapping politely between songs as they acclimatise themselves to this new balance. It doesn't take long to win them over, as the hyper-simpatico league of support players (notably guitarist Kevin Breit and harmonica-player Steve Mariner) weave in and around Harry's leads with deft skill. If Samidha Joglekar's vocals contrast too starkly with Harry s croon on Point of Purchase, all is forgiven by Single Spark, and Joglekar's contribution at the tail end of the jam-friendly Voodoo Chile earns its just rewards. Of special note is Mariner's wailing harp solo on the ten-minute jam that was Muddy Waters' Can t Be Satisfied, which will more than satisfy. Live pays significant dividends across its 60-minute length. The faithful are well served while the casual Manx fan will benefit from a closer look into the very core of Harry's muse. --Eric Thom, Exclaim!
