All Categories
Product Description Named a best book of 2017 by NPR, The Guardian, Slate, NYLON and The Globe and Mail (Canada) From Durga Chew-Bose, “one of our most gifted, insightful essayists and critics” (Nylon), comes "a warmly considered meld of criticism and memoir" (New Yorker), a lyrical and piercingly insightful debut collection of essays about identity and culture.Too Much and Not the Mood is a beautiful and surprising exploration of what it means to be a first-generation, creative young woman working today. On April 11, 1931, Virginia Woolf ended her entry in A Writer’s Diary with the words “too much and not the mood” to describe her frustration with placating her readers, what she described as the “cramming in and the cutting out.” She wondered if she had anything at all that was truly worth saying. The attitude of that sentiment inspired Durga Chew-Bose to gather own writing in this lyrical collection of poetic essays that examine personhood and artistic growth. Drawing inspiration from a diverse group of incisive and inquiring female authors, Chew-Bose captures the inner restlessness that keeps her always on the brink of creative expression. Review "A warmly considered meld of criticism and memoir, a self-portrait of the writer as intrepid mental wanderer. [Chew-Bose's] enthusiasms for art, literature, movies, friendship, and family life are as broad as they are deeply felt. This is a book to slip into your pocket for company during a day of solitary walking." ―Alexandra Schwartz, New Yorker "If you admire Maggie Nelson’s ability to combine the personal and the academic into a thrilling new art form, Durga Chew-Bose will be your next favorite writer. Her remarkable debut essay collection touches on art and literature and pop culture, but also feels intensely intimate, filled with stunning insights both large in scale, and small." ―Maris Kreizman, Vulture"Too Much makes looking seem extravagant, and in Chew-Bose's hands looking is a tool for cultivating intimacy with the world . . . This is a form that turns the vulnerability inherent in being a woman of color into strength and constructs connections between things that we rarely think of as connected . . . The dissonance Chew-Bose brings to the table has never felt more necessary." ―Ismail Muhammad, Slate "When the world seems to be on fire, intuitive essays that focus on miniature aspects of the ordinary-everyday can serve as a balm. Chew-Bose turns all her associative musings into a melancholy self-portrait of the highest order . . . Her sentences show tremendous promise, coming as close as language can to how it feels to be alive as a young woman, at a time in your life when every detail matters." ―Anita Felicelli, San Francisco Chronicle"[Too Much and Not the Mood] is a skilled and evocative contribution to a genre that has long frustrated definition by critics and practitioners alike . . . Chew-Bose’s collection bristles with slow and tender inquisitiveness, carefully wrought anecdotes and character studies, devotion to detail, and nuanced structure in which form engages with content." ―Emily LaBarge, Los Angeles Review of Books"Chew-Bose is one of our most gifted, insightful essayists and critics, and her first collection of essays is bound to contain a wealth of her singularly lyrical and profound prose, as she meditates on topics like identity and art, as well as culture and belonging. [Too Much and Not the Mood is] a must-read" ―Kristin Iversen, Nylon"This slim collection of essays ushers in the start of what will hopefully be a long run of books by essayist and critic Durga Chew-Bose. Picking apart art and literature and blending it with observations from everyday life, Chew-Bose could make even the grayest day seem beautiful and fascinating." ―Rolling Stone"[Chew-Bose's] first book is already earning her comparisons to the likes of Zadie Smith and Lena Dunham . . . In this lyrical collection of personal musings, she delves into the connections between identit