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Product Description The author of Fahrenehit 451 and The Martian Chronicles, offers a personal selection of his best stories, featuring “Dandelion Wine,” “The Illustrated Man,” "The Veldt," “The Wonderful Ice Cream Suit,” and twenty other classics. American cousin to Borges and Garcia Marquez, Ray Bradbury is a writer whose vision of the world is so intense that the objects in it sometimes levitate or glow with otherworldly auras. Who but Bradbury could imagine the playroom in which children's fantasies become real enough to kill? The beautiful white suit that turns six down-and-out Chicanos into their ideal selves? Only Bradbury could make us identify with a man who lives in terror of his own skeleton. And if a generic science fiction writer might describe a spaceship landing on Mars, only Bradbury can tell us how the Martians see it--and the dreamlike visitors from Planet Earth. Amazon.com Review As tersely stated on the cover, this is "Ray Bradbury's own selection of his best stories." The Vintage Bradbury contains 22 classic stories, plus four chapters excerpted from his first mainstream novel, Dandelion Wine. His career as an author was only about 15 years old when he compiled this volume in 1965 for the prestigious Vintage imprint. Like the vast majority of his collections, it has never been out of print. Bradbury's own selection of "his best" is also intriguing because most of the stories chosen are from the beginning of his career, and most are quite hauntingly sad. "The Illustrated Man" relates the ultimate fate of the tattooed title character from the novel of the same name. "The Fog Horn" is the tragic love story of a dinosaur who believes the horn's wail is actually that of his lost mate. "Hail and Farewell" tells of a 43-year-old man who is fated to never look older than 12. Although later upstaged by the truly definitive The Stories of Ray Bradbury, this remains a fitting introduction to one of the world's great fantasists and prose stylists. --Stanley Wiater Review "Ray Bradbury is one of the most original living American authors....A curious mixture of poetry and colloquialism, [his style] is so brisk and economical...so full of unexpected quirks that it never becomes boring....Most of Ray's stories are impossible-so far-but they are certainly convincing....His work will last." -- Gilbert Highet, from the Introduction From the Inside Flap Once upon a time people described Ray Bradbury as a particularly gifted writer of science fiction. Today he seems more like a magical realist, a small-town American cousin to Borges and Garcia Marquez. A writer whose vision of the world is so intense that the objects in it sometimes levitate or glow with otherworldly auras. Who but Bradbury could imagine the playroom in which children's fantasies become real enough to kill? The beautiful white suit that turns six down-and-out Chicanos into their ideal selves? Only Bradbury could make us identify with a man who lives in terror of his own skeleton. And if a generic science fiction writer might describe a spaceship landing on Mars, only Bradbury can tell us how the Martians see it-and the and dreamlike visitors from Planet Earth. From the Back Cover Once upon a time people described Ray Bradbury as a particularly gifted writer of science fiction. Today he seems more like a magical realist, a small-town American cousin to Borges and Garcia Marquez. A writer whose vision of the world is so intense that the objects in it sometimes levitate or glow with otherworldly auras. Who but Bradbury could imagine the playroom in which children's fantasies become real enough to kill? The beautiful white suit that turns six down-and-out Chicanos into their ideal selves? Only Bradbury could make us identify with a man who lives in terror of his own skeleton. And if a generic science fiction writer might describe a spaceship landing on Mars, only Bradbury can tell us how the Martians see it-and the and dreamlike visitors from Pl