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The Secret Life of the American Musical: How Broadway Shows Are Built

Product ID : 18557211


Galleon Product ID 18557211
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About The Secret Life Of The American Musical: How

Product Description A New York Times BestsellerFor almost a century, Americans have been losing their hearts and losing their minds in an insatiable love affair with the American musical. It often begins in childhood in a darkened theater, grows into something more serious for high school actors, and reaches its passionate zenith when it comes time for love, marriage, and children, who will start the cycle all over again. Americans love musicals. Americans invented musicals. Americans perfected musicals. But what, exactly, is a musical?In The Secret Life of the American Musical, Jack Viertel takes them apart, puts them back together, sings their praises, marvels at their unflagging inventiveness, and occasionally despairs over their more embarrassing shortcomings. In the process, he invites us to fall in love all over again by showing us how musicals happen, what makes them work, how they captivate audiences, and how one landmark show leads to the next―by design or by accident, by emulation or by rebellion―from Oklahoma! to Hamilton and onward.Structured like a musical, The Secret Life of the American Musical begins with an overture and concludes with a curtain call, with stops in between for “I Want” songs, “conditional” love songs, production numbers, star turns, and finales. The ultimate insider, Viertel has spent three decades on Broadway, working on dozens of shows old and new as a conceiver, producer, dramaturg, and general creative force; he has his own unique way of looking at the process and at the people who collaborate to make musicals a reality. He shows us patterns in the architecture of classic shows and charts the inevitable evolution that has taken place in musical theater as America itself has evolved socially and politically. The Secret Life of the American Musical makes you feel as though you’ve been there in the rehearsal room, in the front row of the theater, and in the working offices of theater owners and producers as they pursue their own love affair with that rare and elusive beast―the Broadway hit. Review "Both revelatory and entertaining. Viertel combines a scholarly approach with a light touch that enables us to see anew familiar songs and musical theater moments we'd long taken for granted." ―The New York Times Book Review"Viertel’s knowledgeable, engaging blueprint of [the] Broadway musical framework is instructive fun for cognoscenti and general readers alike." ―The Washington Post"A lively manual for writers and public alike on how the songs suit the story and how the story needs the songs." ―The Wall Street Journal"The best general-audience analysis of musical theater I have read in many years." ―The Charlotte Observer “Jack Viertel changed my theater-going life, and he might change yours . . . The Secret Life of the American Musical: How Broadway Shows Are Built is a delightful, accessible guide to why your favorite productions work. It’s a little bit history, a little bit memoir, a little bit criticism and, for any theater fan, a whole lot of fun.” ―The Dallas Morning News"Viertel is well-steeped in Broadway culture, lore and productions . . . An enlightening trip for lovers of musicals." ―Kirkus Reviews"A valuable addition to the theater lover’s bookshelf." ―Publishers Weekly "[An] engaging, insightful anatomy of a singularly American art form . . . There is much to savor." ―MORE"Viertel articulates his rules of commercial success so lucidly that even seasoned hands will come away with a clearer understanding of why some shows work while others flop." ―Commentary"Thoroughly interesting . . . There’s just something very pleasant about reading someone intelligently and affectionately look at what make a show tick, beat by choreographed beat." ―The A.V. Club"Viertel has written what will become a classic textbook on the architecture and construction of the American musical . . . What Harold Bloom did for Shakespearean exegesis and Peter Drucker for management, Viertel has done for theater