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Product Description The “volcanically sexy” ( USA Today ) bestseller about a widow and her daughter who take a young couple into their home in 1920s London. It is 1922, and London is tense. Ex-servicemen are disillusioned; the out-of-work and the hungry are demanding change. And in South London, in a genteel Camberwell villa—a large, silent house now bereft of brothers, husband, and even servants—life is about to be transformed, as impoverished widow Mrs. Wray and her spinster daughter, Frances, are obliged to take in lodgers. With the arrival of Lilian and Leonard Barber, a modern young couple of the “clerk class,” the routines of the house will be shaken up in unexpected ways. Little do the Wrays know just how profoundly their new tenants will alter the course of Frances’s life—or, as passions mount and frustration gathers, how far-reaching, and how devastating, the disturbances will be. Short-listed for the Man Booker Prize three times, Sarah Waters has earned a reputation as one of our greatest writers of historical fiction. Review Named a Best or Notable Book of 2014 by the New York Times, the Washington Post, NPR, Slate, Entertainment Weekly, People, the San Francisco Chronicle, NPR Fresh Air, Refinery 29, The St. Louis Post-Dispatch, The Seattle Times, The Kansas City Star, The Millions, The Vancouver Sun, The Guardian, The Telegraph, Barnes & Noble, Hudson Booksellers, AARP, Kirkus Reviews, Pop Sugar, Publisher's Lunch, and BookPage "Awesome, full-bodied novel. 'It's like she's saying, hey dudes, this is how you do it.' " —Stephen King (via Twitter) “Waters is an absolute master of pulse-pounding historical fiction.” – Entertainment Weekly “Superb, bewitching…Forget about Fifty Shades of Grey; this novel is one of the most sensual you will ever read, and all without sacrificing either good taste or a "G" rating… [ The Paying Guests] is a magnificent creation, a book that doubles as a time machine, flinging us back not only to postwar London, but also to our own lost love affairs, the kind that left us breathless” —NPR “A beautifully observed tale of murder, suspense, crumbling class distinctions and steamy lesbian love in post-Edwardian London. Like something Virginia Woolf might have written if she’d been racier” —People “You open The Paying Guests and immediately surrender to the smooth assuredness of Sarah Waters’s silken prose... You cannot choose but read. The book has you in thrall. You will follow Waters and her story anywhere… A novel that initially seems as if it might have been written by E.M. Forster darkens into something by Dostoevsky or Patricia Highsmith. It also becomes unputdownable … the reader is in for a seriously heart-pounding roller-coaster ride.” —The Washington Post “[Waters] masterfully weaves true crime, domestic life and romantic passion into one of the best novels of suspense since Daphne du Maurier's Rebecca… [ The Paying Guests is] diabolically clever… with one of the hottest sex scenes ever to be set in a scullery.” —Los Angeles Times “Pitch perfect… powered by queer longing, defiant identity politics, and lusty, occasionally downright kinky sex” —Slate “[A] tour de force of precisely observed period detail and hidden passions.” —Wall Street Journal “It's been a while since a book kept me up until 3:30 a.m., but The Paying Guests grabbed me and would not let me go…The wonderfully melodramatic plot, the brilliant characterization of protagonist Frances Wray, the vivid depiction of the zeitgeist in post-WWI London -- each of these elements was equally responsible for the kidnapping of this unsuspecting reader, as masterminded by British novelist Sarah Waters, a three-time Booker Prize finalist.” —Newsday “A delicious hothouse of a novel…There's palpable tension from page one, so buckle up and prepare for a wild ride… The Paying Guests channels the past via E.M. Forster, Dickens and Tolstoy, quickened with a dollop of contemporary Dennis Lehane noir…