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Product Description A Picador Paperback OriginalHow do great writers do it? From James M. Cain's hard-nosed observation that "writing a novel is like working on foreign policy. There are problems to be solved. It's not all inspirational," to Joan Didion's account of how she composes a book--"I constantly retype my own sentences. Every day I go back to page one and just retype what I have. It gets me into a rhythm"--The Paris Review has elicited some of the most revelatory and revealing thoughts from the literary masters of our age. For more than half a century, the magazine has spoken with most of our leading novelists, poets, and playwrights, and the interviews themselves have come to be recognized as classic works of literature, an essential and definitive record of the writing life. They have won the coveted George Polk Award and have been a contender for the Pulitzer Prize. Now, Paris Review editor Philip Gourevitch introduces an entirely original selection of sixteen of the most celebrated interviews. Often startling, always engaging, these encounters contain an immense scope of intelligence, personality, experience, and wit from the likes of Elizabeth Bishop, Ernest Hemingway, Truman Capote, Rebecca West, and Billy Wilder. This is an indispensable book for all writers and readers. From Booklist You won't be able to get their rueful, witty, snappish, and thoughtful voices out of your head. Here is Dorothy Parker, breathtakingly funny, brilliant, and self-deprecating. Truman Capote purring, "I am a completely horizontal author. I cannot think unless I'm lying down." Hemingway, recalcitrant and dismissive, dueling with George Plimpton in a revealing conversation containing the famous iceberg remark about writing: "There is seven-eighths of it underwater for every part that shows." As for poets, Donald Hall speaks with an urbane T. S. Eliot, Elizabeth Spires with a bemusedly frank Elizabeth Bishop. Here, too, is an astonishing conversation with the erudite and gentlemanly Jorge Luis Borges, who speaks of Old Norse, Henry James, and the color yellow, and flinty Kurt Vonnegut remembering the bombing of Dresden and telling bad jokes. Several hundred of the Paris Review's justifiably celebrated literary interviews are available online, but these 16 exceptional slices of literary history belong in the form the interviewees devoted their lives to, namely a finely made book, always at hand, always compelling. Donna Seaman Copyright © American Library Association. All rights reserved Review “The Paris Review books should be given out at dinner parties, readings, riots, weddings, galas -- shindigs of every shape. And they're perfect for the classroom too, from high schools all the way to MFA programs. In fact, I run a whole semester-long creative writing class based on the interviews. How else would I get the world's greatest living writers, living and dead, to come into the classroom with their words of wisdom, folly and fury? These books are wonderful, provocative, indispensible.” ―Colum McCann, novelist and Hunter College professor“I have all the copies of The Paris Review and like the interviews very much. They will make a good book when collected and that will be very good for the Review.” ―Ernest Hemingway“At their best, the Paris Review interviews remove the veils of literary personae to reveal the flesh-and-blood writer at the source. By exposing the inner workings of writing, they place the reader in the driver's seat of literature.” ―Billy Collins“A colossal literary event--worth the price of admission for the Borges interview alone, and of course the Billy Wilder, and the Vonnegut, and and and and . . . Just buy this book and read it all.” ―Gary Shteyngart“The Paris Review interviews have the best questions, the best answers, and are, hands down, the best way to steal a look into the minds of the best writers (and interviewers) in the world. Reading them together is like getting a fabulous guided tour through li