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The Last Mughal: The Fall of a Dynasty: Delhi, 1857
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About The Last Mughal: The Fall Of A Dynasty: Delhi, 1857
Product Description In this evocative study of the fall of the Mughal Empire and the beginning of the Raj, award-winning historian William Dalrymple uses previously undiscovered sources to investigate a pivotal moment in history. The last Mughal emperor, Zafar, came to the throne when the political power of the Mughals was already in steep decline. Nonetheless, Zafar—a mystic, poet, and calligrapher of great accomplishment—created a court of unparalleled brilliance, and gave rise to perhaps the greatest literary renaissance in modern Indian history. All the while, the British were progressively taking over the Emperor's power. When, in May 1857, Zafar was declared the leader of an uprising against the British, he was powerless to resist though he strongly suspected that the action was doomed. Four months later, the British took Delhi, the capital, with catastrophic results. With an unsurpassed understanding of British and Indian history, Dalrymple crafts a provocative, revelatory account of one the bloodiest upheavals in history. Review “A compulsively readable masterpiece. . . . Every chapter of The Last Mughal has historical echoes that are still desperately relevant today.” — The New York Review of Books “Deeply researched and beautifully written. . . . A poignant account of the events of 1857 in Delhi.” — The Nation“There is so much to admire in this book - the depth of historical research, the finely evocative writing, the extraordinary rapport with the cultural world of late Mughal India. It is also in many ways a remarkably humane and egalitarian history . . . This is a splendid work of empathetic scholarship.” —David Arnold, Times Literary Supplement About the Author William Dalrymple is the author of seven previous works of history and travel, including City of Djinns, which won the Young British Writer of the Year Prize and the Thomas Cook Travel Book Award; and From the Holy Mountain; White Mughals, which won Britain’s Wolfson History Prize. He is a contributor to The New York Review of Books and The New Yorker. He divides his time between New Delhi and London. Excerpt. © Reprinted by permission. All rights reserved. Chapter One: A Chessboard King The marriage procession of Prince Jawan Bakht left the Lahore Gate of the Red Fort at 2 a.m. on the hot summer night of 2 April 1852. With a salute from the cannon stationed on the ramparts, and an arc of fireworks and rockets fired aloft from the illuminated turrets of the Fort, the two gates opposite the great thoroughfare of Chandni Chowk swung open. The first to emerge were the chobdars, or mace bearers. The people of Delhi have never much liked being restrained by barriers and were in the habit of breaking through the bamboo railings hung with lamps that illuminated the processional route. It was the job of the chobdars to clear a way through the excitable crowd, before the imperial elephants—always a little unpredictable in the presence of fireworks—appeared lumbering through the gates. Two ministers of state on horseback began the procession proper. Shell ornaments were plaited into the horses’ manes, and bells strung around their necks and fetlocks, and as they rode out, the ministers were attended by servants with punkahs (fans). Then came a troop of Mughal infantry, with polished black shields and curved swords, long lances and fluttering pennons of green and gold. The first six of the imperial elephants followed, caparisoned with gold and saffron headcloths embroidered with the Emperor’s coat of arms. From the howdahs, officials held aloft the dynastic insignia that had been used by the Mughals since their arrival in India more than three centuries earlier: from one, the face of a rayed sun; from another, two golden fish suspended at each end of a golden bow; from the third, the head of a lion-like beast; from the fourth, a golden Hand of Fatima; from the fifth, a horse’s head; and from the last, a chatri, or imperial umbrella. All were mad
