The Last American Man

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About The Last American Man

Product Description What does it mean to be a man in modern America? Do men somehow better themselves when they leave civilization and head into the woods? The Last American Man is a cultural examination of contemporary American male identity and the uniquely American desire to return to the wilderness. From the frontier West to American utopian communities, Elizabeth Gilbert has produced a history of American manhood as it has never been told before. To illustrate her story, Gilbert uses the rich and fascinating case study of Eustace Conway, a man who has lived in the Appalachian Mountains since the age of 17. Conway has worked tirelessly to try to convince his fellow Americans to give up self-destructive modern lifestyles and return with him to the primal sanctuary of the wilderness. He is a living metaphor that challenges all assumptions about what it is to be a modern man in America. The Last American Man is at the same time an adventure saga and a thoughtful meditation on the relationship of man to the wilderness. It is also a reflection of masculine American identity in all its conflicting elements—energy, isolation, narcissism, inventiveness, audacity, and destiny. Review "By the time Eustace Conway was seven years old he could throw a knife accurately enough to nail a chipmunk to a tree." Such behavior might qualify Eustace as a potential Columbine-style triggerman, but in Gilbert's startling and fascinating account of his life, he becomes a great American countercultural hero. At 17, Conway "headed into the mountains... and dressed in the skins of animals he had hunted and eaten." By his late 30s, Eustace owned "a thousand acres of pristine wilderness" and lived in a teepee in the woods full-time. He is, as Gilbert (Stern Men) implies with her literary and historical references, a cross between Davy Crockett and Henry David Thoreau. Gilbert, who is friends with Conway and interviewed his family, evidences enormous enthusiasm for her subject, whether discussing Conway's need for alcohol to calm down; his relationship with a physically and emotionally abusive father; or his horrific hand-to-antler fight with a deer buck he was trying to kill yet she always keeps her reporter's distance. At times, Conway's story can be wonderfully moving (as when he buries kindergartners in a shallow trench with their faces turned skyward to help them understand that the forest floor is "alive") or disconcerting (as when, in 1995, he's uncertain about Bill Clinton's identity). Gilbert has a jaunty, breathless style, and she paints a complicated portrait of American maleness that is as original as it is surprising. ( Publishers Weekly ) *Starred Review* Eustace Conway discovered nature's wonders as a boy growing up in South Carolina during the 1960s. Miserable at home, a born perfectionist and fanatic, he took to the woods and developed wilderness skills unknown to most modern Americans. By the time he finished high school and moved into a teepee (his abode for 17 years), he was convinced that only encounters with "the high art and godliness of nature" could help save American society from its catastrophically wasteful habits and soul-deadening trivial pursuits. Conway is not alone in his beliefs, but he is unique in his maniacal drive to proselytize, and, ironically enough, he's taken his teaching mission to such extremes by attempting to create an Appalachian wilderness utopia that it's impossible for him to live the very life he champions. Tough, shrewd, gifted, vigorous, and contradictory, Conway, who set a world record crossing the continent on horseback in 103 days, both enlightens and confounds all who know him. Gilbert, a top-notch journalist and fiction writer, braids keen and provocative observations about the American frontier, the myth of the mountain man, and the peculiar state of contemporary America with its "profound alienation" from nature into her spirited and canny portrait, ultimately concluding that Conway's