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The Creative Habit: Learn It and Use It for Life (Learn In and Use It for Life)

Product ID : 14469550


Galleon Product ID 14469550
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Manufacturer Simon & Schuster
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About The Creative Habit: Learn It And Use It For Life

Product Description One of the world’s leading creative artists, choreographers, and creator of the smash-hit Broadway show, Movin’ Out, shares her secrets for developing and honing your creative talents—at once prescriptive and inspirational, a book to stand alongside The Artist’s Way and Bird by Bird. All it takes to make creativity a part of your life is the willingness to make it a habit. It is the product of preparation and effort, and is within reach of everyone. Whether you are a painter, musician, businessperson, or simply an individual yearning to put your creativity to use, The Creative Habit provides you with thirty-two practical exercises based on the lessons Twyla Tharp has learned in her remarkable thirty-five-year career. In "Where's Your Pencil?" Tharp reminds you to observe the world -- and get it down on paper. In "Coins and Chaos," she gives you an easy way to restore order and peace. In "Do a Verb," she turns your mind and body into coworkers. In "Build a Bridge to the Next Day," she shows you how to clean the clutter from your mind overnight. Tharp leads you through the painful first steps of scratching for ideas, finding the spine of your work, and getting out of ruts and into productive grooves. The wide-open realm of possibilities can be energizing, and Twyla Tharp explains how to take a deep breath and begin... Review "[An] exuberant, philosophically ambitious self-help book for the creatively challenged." -- The New York Times Book Review "An entertaining 'how to' guide, The Creative Habit isn't about getting the lightning bolt of inspiration, but rather the artistic necessity of old-fashioned virtues such as discipline, preparation and routine." -- Cathleen McGuigan, Newsweek "The Creative Habit emphasizes the work habits that lead to success." -- C. Carr, O: The Oprah Magazine "Twyla Tharp's amazingly plain-spoken treatise...is a frank, honest, and tough-love testament essentially arguing that art and creativity are matters of hard, old-fashioned work." -- Sid Smith, The Chicago Tribune "[A]s accessible, smart and eye-opening as her dance." -- Linda Winer, Newsday "Though its context is a choreographer's world, its principles are universally applicable and sound....It could change your life." -- Elizabeth Zimmer, The Village Voice About the Author Twyla Tharp, one of America’s greatest choreographers began her career in 1965, and has created more than 130 dances for her company as well as for the Joffrey Ballet, the New York City Ballet, the Paris Opera Ballet, London’s Royal Ballet, Denmark’s Royal Ballet, and American Ballet Theatre. She has won two Emmy Awards for television’s Baryshnikov by Tharp, and a Tony Award for the Broadway musical Movin’ Out. The recipient of a MacArthur Fellowship, she was inducted into the American Academy of Arts & Sciences in 1993 and was made an honorary member of the American Academy of Arts and Letters in 1997. She holds nineteen honorary degrees, most recently from Harvard University. She lives and works in New York City. Excerpt. © Reprinted by permission. All rights reserved. The Creative Habit Learn It and Use It for LifeBy Twyla Tharp Simon & SchusterCopyright ©2005 Twyla Tharp All right reserved. ISBN: 9780743235273 Chapter One: I Walk into a White Room I walk into a large white room. It's a dance studio in midtown Manhattan. I'm wearing a sweatshirt, faded jeans, and Nike cross-trainers. The room is lined with eight-foot-high mirrors. There's a boom box in the corner. The floor is clean, virtually spotless if you don't count the thousands of skid marks and footprints left there by dancers rehearsing. Other than the mirrors, the boom box, the skid marks, and me, the room is empty. In five weeks I'm flying to Los Angeles with a troupe of six dancers to perform a dance program for eight consecutive evenings in front of twelve hundred people every night. It's my troupe. I'm the choreographer. I have half of the program in hand -- a fifty-mi