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About The Classical Guitar Companion
Product Description The Classical Guitar Companion is an anthology of guitar exercises, etudes, and pieces organized according to technique or musical texture. Expert author Christopher Berg, a veteran guitar instructor, bring together perspectives as an active performing artist and as a teacher who has trained hundreds of guitarists to encourages students to work based on their own strengths and weaknesses. The book opens with "Learning the Fingerboard", a large section devoted to establishing a thorough knowledge of the guitar fingerboard through a systematic and rigorous study of scales and fingerboard harmony, which will lead to ease and fluency in sight-reading and will reduce the time needed to learn a repertoire piece. The following sections "Scales and Scale Studies", "Repeated Notes", "Slurs", "Harmony", "Arpeggios", "Melody with Accompaniment", "Counterpoint" and "Florid or Virtuoso Studies" each contain text and examples that connect material to fingering practices of composers and practice strategies to open a path to interpretive freedom in performance. The Classical Guitar Companion will serve as a helpful companion for many years of guitar study. Review "Oftentimes a new guitar study is accompanied by fanfare proclaiming that a new technical discovery has been made, or some set of magical exercises promising virtuosity have been revealed for the first time. Christopher Berg's Classical Guitar Companion has done the reverse of this by showing that the answers have been in front of us the whole time, with examples spanning over 450 years of lute and guitar repertory." -- Tonny Morris, Executive Director, Classical Guitar Alive About the Author Christopher Berg received his training at the Peabody Conservatory of Music, in master classes with Andrés Segovia at the University of Southern California. He is a Carolina Distinguished Professor University of South Carolina where he directs the classical guitar program. He has been honored by the National Endowment for the Arts as a recipient of a Solo Recitalist Fellowship and by the South Carolina Arts Commission as a recipient of two Solo Artist Fellowships. He is the author of Mastering Guitar Technique, Giuliani Revisited, and Practicing Music by Design: Historic Virtuosi on Peak Performance.
