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Product Description A new book of sketches, artwork, and personal reflection from the brilliant mind of award-winning, bestselling author and illustrator Shaun Tan. "I'm often wary of using the word 'inspiration' to introduce my work -- it sounds too much like a sun shower from the heavens, absorbed by a passive individual enjoying an especially receptive moment. While that may be the case on rare occasions, the reality is usually far more prosaic. Staring at a blank piece of paper, I can't think of anything original. I feel utterly uninspired and unreceptive. It's the familiar malaise of 'artist's block' and in such circumstances there is only one thing to do: just start drawing." -- Shaun TanAnd when Shaun Tan starts drawing, the results are stunning. In The Bird King: An Artist's Notebook, we find a window into the creative process: the stops and starts, the ideas that never took off, and the ones that grew into something much bigger. Fans of The Arrival will recognize the quirky, surreal sensibility that is so distinctly Shaun Tan in this stunning collection, and gain insight into how his many gorgeous books were made. From School Library Journal Gr 3 Up-A collection of sketches, drafts, and scanned ephemera from the artist who created The Arrival (2007) and Tales from Outer Suburbia (2009, both Scholastic). The initial section, "untold stories," is a series of visuals and captions, sometimes inspired by the accompanying turn of phrase and sometimes only illuminated by it, like a particularly enigmatic New Yorker cartoon. The "book, theatre, and film" section contains images familiar to readers of Tan's other works, while the "drawings from life" and closing "notebooks" sections are excellent examples of the skill and practice required of an inventive illustrator. Not only can one see the breadth of Tan's technical ability here, but the reproduction of the originals is also top-notch; the marginalia of its origins intact with creases, scuffs, erasures, and signs of assembly all photographically preserved. These show the work and the physical reality of getting to an end product, as well as revealing, by implication, the gradual process of creative invention. While not so much a graphic novel or an illustrated book, this is an excellent archive of what might be found if one peeks into the recesses of an artist's portfolio. For those interested in illustration as a career, it could be a superb, if daunting, inspiration.-Benjamin Russell, Belmont High School, NHα(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. From Booklist *Starred Review* Tan, the mastermind behind the incomparable The Arrival (2007) and Lost and Found (2011), opens up his sketchbooks and offers up an array of drawings, doodles, and visual experiments. Separated into works for books, theater, and film; life drawings; notebooks; and tantalizing glimpses of untold stories; the entries all share Tan’s unique trademarks. Unmistakable are his flawless craftsmanship, his organically industrial yet timeless aesthetic, and his lyrically haunting style and tone. Given their own page and focus, many details that might have attracted merely a glance in larger works are turned here from a flourish into a full-fledged character or visual idea. Simultaneously, mechanics of his world-building skill come clear, like a penchant for embellishing illustrations to make them appear a part of a larger blueprint or schematic, giving the sense of a small image within a vast tapestry that is itself an infinitely branching world of imagination. The author’s stated hope is that, in their evolutionary examination of images and narratives, the sketchbook pages “offer a privileged insight into the creative process.” So it does, making it an invaluable resource for burgeoning visual storytellers. But even for those interested in little more than pondering and daydreaming, this is a powerful springboard for