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Product Description Stefan Kanfer, acclaimed biographer of Lucille Ball and Groucho Marx, now gives us the definitive life of Marlon Brando, seamlessly intertwining the man and the work to give us a stunning and illuminating appraisal. Beginning with Brando’s turbulent childhood, Kanfer follows him to New York where he made his star-making Broadway debut as Stanley Kowalski in A Streetcar Named Desire at age twenty-three. Brando then decamped for Hollywood, and Kanfer looks at each of Brando’s films over the years—from The Men in 1950 to The Score in 2001—offering deft and insightful analysis of his sometimes brilliant, sometimes baffling performances. And, finally, Kanfer brings into focus Brando’s self-destructiveness, ambivalence toward his craft, and the tragedies that shadowed his last years. Review “Well-researched and beautifully written, the book is as fascinating . . . as the subject himself.” — Los Angeles Times “Miraculous. . . . A landmark in Brando studies.” —David Thomson “[A] vivid chronicle. . . . The Marlon Brando story is a fascinating and tragic one, and Kanfer gives it the size and understanding necessary to provide an enthralling read.” —Peter Bogdanovich “Stefan Kanfer strikes an original note by portraying him, albeit with great sensitivity and tact, as a man permanently teetering on the brink of madness–clearly part of his mesmeric screen presence.” — The Sunday Times (London) About the Author Stefan Kanfer’s books include The Eighth Sin, A Summer World, The Last Empire, Serious Business, Groucho, Ball of Fire, and Stardust Lost. He was a writer and editor at Time for more than twenty years and was its first bylined film critic, a post he held between 1967 and 1972. He is also the primary interviewer in the Academy Award-nominated documentary The Line King and editor of an anthology of Groucho Marx’s comedy, The Essential Groucho. He is a Literary Lion of the New York Public Library and the recipient of numerous writing awards. He lives in New York City and on Cape Cod. Excerpt. © Reprinted by permission. All rights reserved. 11924-1942In Disgrace with FortuneIt was typical of Marlon to enter the world upside down. The breech birth took place shortly after 11 p.m., April 3, 1924, in the Omaha Maternity Hospital.His earliest home was right out of the imaginings of Hollywood at a time when the film industry, dominated by Jewish immigrants, was beginning to reinvent its host country. If status was denied to these rough, uneducated Eastern Europeans, observed historian Neal Gabler, the movies offered an ingenious option. The first moguls "would fabricate their empire in the image of America. They would create its values and myths, its traditions and archetypes. It would be an America where fathers were strong, families stable, people attractive, resilient, resourceful, and decent." This is the superficially idyllic America into which Marlon was born.Yet even in the peaceful Midwest, ideal turf of the Dream Factory, there were dark spots no one could ignore. In the year of Marlon's birth, for example, two adolescents, Richard Loeb and Nathan Leopold, kidnapped and murdered fourteen-year-old Bobby Franks in a Chicago suburb. That was in May. Detectives closed in shortly afterward, the culprits were arraigned in June, and by August they were on trial for their lives. The defense, headed by star lawyer Clarence Darrow, enlisted mind doctors, "alienists," in the parlance of the day, to establish irresponsibility by reason of insanity. Sigmund Freud was asked to aid the cause, but he was in fragile health and declined the invitation. After being called "cowardly perverts," "atheists," and "mad dogs," Leopold and Loeb were sentenced to life imprisonment. But the debate about capital punishment continued unchecked, touching the plains and cities of Nebraska. At virtually the same time, Chicago crime raged on, fueled by Prohibition. The outlawing of alcohol had become official in 1920; since then t