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Product Description &&LDIV&&R&&LDIV&&R&&LP style="MARGIN: 0in 0in 0pt"&&R&&LI&&RRomeo and Juliet&&L/I&&R, by &&LB&&RWilliam Shakespeare&&L/B&&R, is part of the &&LI&&RBarnes & Noble Shakespeare&&L/I&&R series. This unique series features newly edited texts prepared by leading scholars from America and Great Britain, in collaboration with one of the world’s foremost Shakespeare authorities, &&LB&&RDavid Scott Kastan&&L/B&&R of Columbia University. Together they have produced texts as faithful as possible to those that Shakespeare wrote.&&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&R &&L/P&&R&&LP style="MARGIN: 0in 0in 0pt"&&REach volume in the &&LI&&RBarnes & Noble Shakespeare&&L/I&&R includes:&&L/P&&R&&LB&&RNew Scholarship&&L/B&&R – Premiere scholars introduce each play with contemporary scholarship. An essay on editing the text provides an in-depth look at the quartos and folios used in the edition. &&LB&&RContextualizing Essays&&L/B&&R – Essays on Shakespeare’s England, language, and life, along with essays on performing Shakespeare and significant performances frame the play in both historical and theatrical context for readers. A look at the lasting influence of the play on music, art, film, and dance creates an interdisciplinary framework with which to approach the play. &&LB&&RBetter Notes&&L/B&&R – Through one-word margin definitions, facing-page glosses, and longer end notes after the play, our innovative approach to notes pulls readers away from the text fewer times while providing them with more information and comprehensive analysis. &&LB&&RFurther Reading&&L/B&&R – An annotated bibliography of titles, hand-selected by the introduction author, takes readers beyond the edition for further reading.&&L/DIV&&R&&LP style="MARGIN: 0in 0in 0pt"&&RWhen &&LI&&RRomeo and Juliet&&L/I&&R was first performed, its two title characters would have seemed like very unlikely tragic heroes, since they possess no historical importance or political status. The editor, &&LSTRONG&&RMario DiGangi&&L/B&&R, restores the play to its original context, demonstrating in detail how Shakespeare elevated his teenage characters’ plight to make them the most famous tragic couple in literature.&&L/P&&R&&L/DIV&&R Excerpt. © Reprinted by permission. All rights reserved. Introduction to Romeo and Juliet by Mario DiGangi“Romeo, Romeo! Wherefore art thou Romeo?” So familiar is Romeo and Juliet to us that it takes an act of conscious will to imagine a time when Juliet’s question was not a cliché. In its immediate dramatic context, Juliet’s question is the spontaneous, tentative, and private expression of a young woman’s burgeoning erotic desire. It also serves to confirm Juliet’s true feelings for Romeo, who overhears her confession from beneath her window. Yet in our own time, Juliet’s anguished question is repeated again and again in the classroom, on the stage, and in popular culture as part of an enduring myth of romantic love associated with Shakespeare’s play. As a result, we are perhaps far more likely to regard “Romeo, Romeo! Wherefore art thou Romeo?” as something that Shakespeare, rather than Juliet, said. Detached from its dramatic context, Juliet’s question can be taken as a prime example of the Bard’s romantic lyricism, or, less reverently, as a piece of romantic sentiment irresistibly ripe for burlesque—perhaps most memorably in Bugs Bunny’s absurdly exaggerated, cross-dressed performance of Juliet’s passion. The modern understanding of Romeo and Juliet as archetypical tragic lovers has been shaped by centuries of performance history and critical commentary, and, more recently, by popular movies and secondary school curricula. Yet Elizabethan audiences might have been surprised to find that they were being asked to regard this pair of contemporary Italian adolescents as serious tragic protagonists. The most elevated dramatic genre, tragedy traditionally dealt with the fall of great men—“great” because both aristocratic and historic