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Product Description A delightful collection of stories and photographs from the author of the No. 1 Ladies' Detective Agency series, imagining the lives and loves of everyday people in the twentieth century Pictures capture moments in time, presenting the viewer with a window into another life. But a picture can go only so far. Who are the people in the image? What are their fears? What are their dreams? The fourteen captivating tales in this collection are all inspired by photos from the Times of London archive. A young woman finds unexpected love while perusing Egyptian antiquities. A family is forever fractured when war comes to Penang, in colonial Malaysia. Iron Jelloid tablets help to reveal a young man’s inner strength. And twin sisters discover that it’s never too late to forge a new path—even when standing at the altar. There are big stories behind these simple images. Though at first glance they may appear to represent small moments, these photographs in fact speak volumes, uncovering possibilities of love, friendship, and happiness. With his indomitable charm, Alexander McCall Smith takes us behind the lens to explore the hidden lives of those photographed; in so doing, he reveals the humanity in us all. Review Praise for Alexander McCall Smith “Alexander McCall Smith is a master at using the economy of the short story to highlight the amplitude of the imagination.” — The New York Times Book Review “A writer who charms many readers . . . McCall Smith’s characters are well drawn and alive.” — The Providence Journal “McCall Smith writes with clarity, humor, and thoughtfulness.” — The Christian Science Monitor “A vivid observer and an elegant writer.” — The Plain Dealer (Cleveland) “There’s not a more charming author on the face of the Earth.” — The Seattle Times “An excellent old-fashioned storyteller.” — The Gazette (Cedar Rapids) About the Author ALEXANDER McCALL SMITH is the author of the No. 1 Ladies' Detective Agency novels and of a number of other series and stand-alone books. His works have been translated into more than forty languages and have been best sellers throughout the world. He lives in Scotland. Excerpt. © Reprinted by permission. All rights reserved. Pianos and Flowers Look at the man and woman in the foreground of this photograph. They are walking past the unusual topiary without much more than a glance, seemingly indifferent to whatever it was that the topiarist was striving to portray. The man had muttered “Kandinsky” under his breath, a reference to the apparent similarity of the hedge to the figures seen in the artist’s painting; the woman had simply sighed and said nothing. Then the two of them pass out of the photograph, and into the rest of their lives. Further back are three sisters, standing shoulder to shoulder, with their brother on their right. The other man, standing on his own, on their left (our right) is nothing to do with them and had avoided making eye contact. He was simply there, quite coincidentally, waiting for his wife, who had gone inside the house to retrieve her sun hat. When she returned a few minutes after this photograph was taken, they made their way into the rose garden, which cannot be seen here, but which lay off to the right, hidden by the high yew hedge behind the small groups of strollers. We do not know who that couple was, although one of the sisters later remarked, “That man in the garden was Dutch, I think. I may be wrong, but I think he looked Dutch.” Another said, “How can you tell?” To which the reply came, “I don’t know. There are some things that you just feel to be the case. You can’t be sure, but you think it. It’s hard to explain, actually.” And the third said, “Intuition. That’s the word you’re looking for. Intuition.” As it happened, he was not Dutch, but Belgian—the director of a company that imported rubber from what was then known as the Belgian Congo. His grandchildren would say of this involvement, “Don’t look