We specialize in hard to find items
All Categories
*Price and Stocks may change without prior notice
*Packaging of actual item may differ from photo shown
- Electrical items MAY be 110 volts.
- 7 Day Return Policy
- All products are genuine and original
About Once We Were Sisters: A Memoir
Product Description ONE OF PEOPLE MAGAZINE’S BEST NEW BOOKS“A searing and intimate memoir about love turned deadly.” —The BBC“An intimate illumination of sisterhood and loss.” —PeopleWhen Sheila Kohler was thirty-seven, she received the heart-stopping news that her sister Maxine, only two years older, was killed when her husband drove them off a deserted road in Johannesburg. Stunned by the news, she immediately flew back to the country where she was born, determined to find answers and forced to reckon with his history of violence and the lingering effects of their most unusual childhood—one marked by death and the misguided love of their mother. In her signature spare and incisive prose, Sheila Kohler recounts the lives she and her sister led. Flashing back to their storybook childhood at the family estate, Crossways, Kohler tells of the death of her father when she and Maxine were girls, which led to the family abandoning their house and the girls being raised by their mother, at turns distant and suffocating. We follow them to the cloistered Anglican boarding school where they first learn of separation and later their studies in Rome and Paris where they plan grand lives for themselves—lives that are interrupted when both marry young and discover they have made poor choices. Kohler evokes the bond between sisters and shows how that bond changes but never breaks, even after death. “A beautiful and disturbing memoir of a beloved sister who died at the age of thirty-nine in circumstances that strongly suggest murder. . . . Highly recommended.” —Joyce Carol Oates Review “In the end, this is a memoir of love, sorrow, sisterhood and privilege. It’s also a memoir of the limitations of such privilege—in particular, the inescapable tragedy of being born female in a patriarchal world, where all the money, beauty and breeding cannot protect you from a man who takes what he wants without consequence. Rich, pretty, good Maxine, forever the dutiful doll, died young, and her husband lived to a ripe old age, his atrocities never acknowledged. Until now.” —The New York Times Book Review “An intimate illumination of sisterhood and loss.” —People Magazine (Best New Books) “Kohler digs into her past for a searing and intimate memoir about love turned deadly. . . . Her powerful story gives a sharp contrast between a sister’s lasting love and the ways society protects a violent man.” —The BBC (Ten Books to Read in 2017) “It's fitting that the book is written in the present tense, because [Kohler’s] sister is forever with her. Their relationship changes shape yet lingers, as do the important questions about women and violence.” —Oprah.com (5 Powerful New Memoirs) “In this intimate, exquisitely written memoir, the author’s first work of nonfiction, she explores the impenetrable bond that can exist between sisters. . . . In spare, delicate prose, Kohler brings a seasoned novelist's skills to this deeply moving, compelling memoir.” — Kirkus Reviews (starred review) “Sheila Kohler has written a beautiful and disturbing memoir of a beloved sister who died at the age of thirty-nine in circumstances that strongly suggest murder. Like all of Sheila Kohler’s prose work, Once We Were Sisters reveals its story by degrees, amid a richly sensuous milieu of South African white privilege and repression. It is a tragic tale, with echoes of cultural sexism and misogyny, yet a triumphant story of a young woman’s liberation from this culture and her emergence as a writer. Highly recommended.” —Joyce Carol Oates, National Book Award-winning author of Them “Young Sheila Kohler abandons the time-warp of 1950s South Africa and heads for Europe on a voyage of self-discovery. Her quest to find out what it is that she desires—a quest that will last decades and is recounted with the seriousness it deserves, lightened with touches of dry comedy—ends in the discovery that she is and has always been a writer. The most striking parts of this rich and
