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Mutable Instruments Rings Resonator Eurorack Module
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*Price and Stocks may change without prior notice
*Packaging of actual item may differ from photo shown
- Electrical items MAY be 110 volts.
- 7 Day Return Policy
- All products are genuine and original
About Mutable Instruments Rings Resonator Eurorack Module
This product has been played/demoed in store, used to make promotional materials, or returned in great condition. It may be missing its original packaging or inserts or show very slight signs of use. This item is backed with the same return policy and satisfaction guarantee as a new product, making it a risk free purchase. Mutable Instruments Rings Resonator Rings brings physical modelling synthesis to your Eurorack system, from a more modular angle than Braids’ models or Elements. Instead of trying to be a complete instrument, Rings focuses on the key ingredient, the resonator, ready to be excited by envelope clicks, trigger pulses, granular noise or any other audio source produced by the rest of your system. Three families of vibrating structures are simulated by the module, with CV control over their parameters: Strings, membranes and tubes as modelled by Elements’ resonator section (modal synthesis). Strings coupled together and vibrating in sympathy, with controllable intervals between them. Strings with a variable amount of inharmonicity. Rings can be configured so that each new note is played on its own virtual string, while the previously played note(s) still decay(s). This unique take on polyphony allows the module to play strummed chords. Modal resonator, as used in Elements. Sympathetic strings, modelled by a network of comb filters. String with non-linearity/dispersion (comb filter with multimode filter and non-linearities in the loop). All resonator models can be used polyphonically, with 1, 2 or 4 polyphony voices. Each model provides a unified set of parameters, all voltage controlled, with an attenuverter: Structure. With the modal and non-linear string models, controls the inharmonicity of the spectrum (which directly impacts the perceived “material”). With the sympathetic strings model, controls the intervals
