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Product Description Illustrated by Rockwell Kent • Nominated as one of America’s best-loved novels by PBS’s The Great American ReadFirst published in 1851, Herman Melville’s masterpiece is, in Elizabeth Hardwick’s words, “the greatest novel in American literature.” The saga of Captain Ahab and his monomaniacal pursuit of the white whale remains a peerless adventure story but one full of mythic grandeur, poetic majesty, and symbolic power. Filtered through the consciousness of the novel’s narrator, Ishmael, Moby-Dick draws us into a universe full of fascinating characters and stories, from the noble cannibal Queequeg to the natural history of whales, while reaching existential depths that excite debate and contemplation to this day. From the Inside Flap by Larzer Ziff From the Back Cover "Responsive to the shaping forces of his age as only men of passionate imagination are, even Melville can hardly have been fully aware of how symbolical an american hero he had fashioned in Ahab....He is the embodiment of his author's most profound response to the problem of the free individual will in extremis." --F.O. MatthiessenThis edition reproduces the illustrations and page design created by Rockwell Kent for Random House in 1930. About the Author Herman Melville was born in New York City in 1819. When his father died, he was forced to leave school and find work. After passing through some minor clerical jobs, the eighteen-year-old young man shipped out to sea, first on a short cargo trip, then, at twenty-one, on a three-year South Sea whaling venture. From the experiences accumulated on this voyage would come the material for his early books, Typee (1846) and Omoo (1847), as well as for such masterpieces as Moby-Dick (1851), Pierre (1852), The Piazza Tales (1856), and Billy Budd, Sailor, and Other Stories (posthumous, 1924). Though the first two novels—popular romantic adventures—sold well, Melville's more serious writing failed to attract a large audience, perhaps because it attacked the current philosophy of transcendentalism and its espoused "self-reliance." (As he made clear in the savagely comic The Confidence Man (1857), Melville thought very little of Emersonian philosophy.) He spent his later years working as a customs inspector on the New York docks, writing only poems comprising Battle-Pieces (1866). He died in 1891, leaving Billy Budd, Sailor, and Other Stories unpublished. Rockwell Kent (1882–1971) was a prolific illustrator, writer, sailor, and explorer. His illustration credits include Voltaire’s Candide and Herman Melville’s Moby-Dick. Excerpt. © Reprinted by permission. All rights reserved. CHAPTER 1 LOOMINGS Call me Ishmael. Some years ago--never mind how long precisely--having little or no money in my purse, and nothing particular to interest me on shore, I thought I would sail about a little and see the watery part of the world. It is a way I have of driving off the spleen, and regulating the circulation. Whenever I find myself growing grim about the mouth; whenever it is a damp, drizzly November in my soul; whenever I find myself involuntarily pausing before coffin warehouses, and bringing up the rear of every funeral I meet; and especially whenever my hypos get such an upper hand of me, that it requires a strong moral principle to prevent me from deliberately stepping into the street, and methodically knocking people's hats off--then, I account it high time to get to sea as soon as I can. This is my substitute for pistol and ball. With a philosophical flourish Cato throws himself upon his sword; I quietly take to the ship. There is nothing surprising in this. If they but knew it, almost all men in their degree, some time or other, cherish very nearly the same feelings towards the ocean with me. There now is your insular city of the Manhattoes, belted round by wharves as Indian isles by coral reefs--commerce surrounds it with her surf. Right and left, the streets take you wa