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Product Description Ulf has one small problem—his former boss, Oslo's most notorious drug kingpin, wants him dead.He was once the kingpin's fixer, but after betraying him, Ulf is now the one his former boss wants fixed. Hiding out at the end of the line in northern Norway, Ulf lives among the locals. A mother and son befriend him, and their companionship stirs something deep in him that he thought was long dead. As he awaits the inevitable arrival of his murderous pursuers, he questions if redemption is at all possible or if, as he's always believed, “hope is a real bastard.” Review "This forcefully written story of personal defeat, despair, and salvation sends a man off to lose himself in the wilderness--where he finds himself instead." -- The New York Times Book Review "Readers who like their crime fiction cut-to-the-bone lean will love the opening pages of Jo Nesbø's new, swift-moving existential thriller. . . . A compelling exploration of love, faith, the meaning of life and redemption." -- Richmond Times-Dispatch "A fun read, with a likable protagonist and a brisk, page-turning pace. Nesbø is a talented storyteller and his narrative intuition is on full display." -- Los Angeles Times About the Author Jo Nesbø’s books have been translated into forty-seven languages. He is the author of the Harry Hole series, as well as Headhunters, The Son, Blood on Snow, Midnight Sun, and several children’s books. He has received the Glass Key Award for best Nordic crime novel. He is also a musician, songwriter, and economist and lives in Oslo. www.jonesbo.com Excerpt. © Reprinted by permission. All rights reserved. Excerpt CHAPTER 1 How are we to start this story? I wish I could say that we’ll start at the beginning. But I don’t know where it starts. Just like everyone else, I’m not truly aware of the real sequence of cause and effect in my life. Does the story start when I realised that I was only the fourth-best soccer player in the class? When Basse, my grandfather, showed me the drawings—his own drawings—of La Sagrada Família? When I took my first drag on a cigarette and heard my first track by the Grateful Dead? When I read Kant at university and thought I understood it? When I sold my first lump of hash? Or did it start when I kissed Bobby—who’s actually a girl—or the first time I saw the tiny, wrinkled creature who would end up being called Anna screaming up at me? Perhaps it was when I was sitting in the Fisherman’s stinking back room and he was telling me what he wanted me to do. I don’t know. We store up all sorts of stories with fabricated logic, so that life can look as though it has some meaning. So I may as well start here, in the midst of the confusion, at a time and a place where fate seemed to be taking a short break, holding its breath. When, just for a moment, I thought I was not only on my way, but had also already arrived. I got off the bus in the middle of the night. Screwed my eyes up against the sun. It was scouring across an island out to sea, off to the north. Red and dull. Like me. Beyond it lay yet more sea. And, beyond that, the North Pole. Perhaps this was somewhere they wouldn’t find me. I looked round. In the three other points of the compass low mountain ridges sloped down towards me. Red and green heather, rocks, a few clumps of stunted birch trees. To the east the land slid into the sea, stony and flat as a pancake, and to the southwest it was as if it had been cut with a knife at the point where the sea started. A hundred metres or so above the motionless sea a plateau of open landscape took over, stretching inland. The Finnmark plateau. The end of the line, as Grandfather used to say. The hard-packed gravel road I stood on led to a cluster of low buildings. The only thing that stuck out was the church tower. I’d woken up in my seat on the bus just as we were passing a sign with the name “Kåsund” on it, down by the shore, near a wooden jetty. And I thought, why not? and pulled