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About Linda McCartney. The Polaroid Diaries
Review “Paul, Stella and Mary McCartney share their intimate family photo album.” ― The Financial Times “Little pieces of art.” ― bbc.co.uk “Fans of the 2011 monograph Linda McCartney: Life in Photographs will love this more intimate collection.” ― The Times “McCartney’s skill as a photographer precedes this quirky, personal collection that will only strengthen her legacy. Many parents take casual snapshots of bathing children covered in foam, but only in McCartney’s lens is one transformed into an instant Klimt painting.” ― The Washington Post “An intimate glimpse into the life of a much-loved family.” ― The Observer “In a nutshell, this is a much-needed photographic companion for those who enjoy positioning their eyes to an authentically retro lens.” ― gq-magazine.co.uk Product Description Following her best-selling TASCHEN monograph Life in Photographs, discover a more intimate and highly personal side of Linda McCartney’s photographic work in The Polaroid Diaries. The collection focuses on McCartney’s distinctive way of seeing the world and her family, through charming and quirky portraits of Paul McCartney and the couple’s four children. We see them pulling faces and in matching pajamas. We see James pouring water on himself, and Mary and Stella playing dress-up. There’s dancing, eating, horse riding, and countless moments of everyday life on their farm in Southern England. As Paul says in the introduction: “She would just see things. Many of her photos, it’s just that one click. You’ve got to recognise when a great photo is happening in front of you. And then you’ve got to snap it at exactly the right moment… And she did that so many times that it always impressed me.” The Polaroid Diaries curates more than 200 of these “right” moments from the early 1970s until the mid-1990s, along with a foreword by Chrissie Hynde and an essay by art critic Ekow Eshun. The book also features luminous landscapes across Scotland and Arizona, as well as the odd celebrity, as the likes of Steve McQueen and Adam Ant wander into the frame. Other pictures attest to her love of animals, with compassionate images of cats, lambs, horses, and hens. It’s a pre-Instagram glimpse into the life of an extraordinary family, a celebration of Linda’s legacy as a fiercely committed artist and of the instant magic of Polaroid film. Also available in a signed Collector’s Edition and in two limited Art Editions, each with a print numbered and signed by Paul McCartney. About the Author Ekow Eshun is a London-based writer, critic, and curator. He is Chairman of the Fourth Plinth Commissioning Group, overseeing the most prestigious public art program in the U.K., and the former Director of the Institute of Contemporary Arts, London. His writing has appeared in publications including The New York Times, The Financial Times, The Guardian, The Observer, Granta, Vogue, Aperture, and Wired. He is the author of Black Gold of the Sun, which was nominated for the Orwell Prize, and the editor of Africa Modern: Creating the Contemporary Art of a Continent. Reuel Golden is the former editor of the British Journal of Photography and the Photography editor at TASCHEN. His TASCHEN titles include: Mick Rock: The Rise of David Bowie, both London and New York Portrait of a City books, The Rolling Stones, Her Majesty, Football in the 1970s, the National Geographic editions, the David Bailey SUMO and Andy Warhol. Polaroids. Linda McCartney (née Eastman) was born in New York in 1941. She took a photo course with Hazel Archer and studied art history at the University of Arizona before settling in New York City, where she began her photo career shooting rock portraits. Outside of her photography, which has been exhibited in over 50 galleries worldwide including the Victoria and Albert Museum, London, the National Portrait Gallery, London, and the International Center of Photography, New York, Linda McCartney is known for her passionate animal rights activism and her stau
