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Jill Enfield’s Guide to Photographic Alternative Processes: Popular Historical and Contemporary Techniques (Alternative Process Photography)
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About Jill Enfield’s Guide To Photographic Alternative
Images and stories from Jill Enfield’s Guide to Photographic Alternative Processes A digital image does not have to stay digital! I photographed this in Croatia. When I came home, I decided it would make a good kallitype. Click here for a larger image. Dry plate tintypes are great for making photograms. Once the plates are dry, they can be kept in a light tight box for approximately one month. The plates can be exposed in a camera or with an enlarger using positives or by placing objects for photograms. Click here for a larger image I photographed special pictures for a wedding in Tuscany, Italy. The ceremony started around sunset, when the light is typically too reddish for wet plate collodion to work with fast enough exposure to capture a scene like this. Since I was there, however, I gave it a try. Even with the motion, this image captures the moment. Click here for a larger image. This image was taken inside a church in Italy with a Hasselblad camera and black and white film. It was underexposed a bit and I thought I would never be ab
