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Product Description Los Angeles in the 1960s and 70s was the pop culture capital of the world—a movie factory, a music factory, a dream factory. Eve Babitz was the ultimate factory girl, a pure product of LA, and Vanity Fair writer “Lili Anolik decodes, ruptures, and ultimately intensifies Eve’s singular irresistible glitz” (The New Yorker). The goddaughter of Igor Stravinsky and a graduate of Hollywood High, Eve Babitz posed in 1963, at age twenty, playing chess with the French artist Marcel Duchamp. She was naked; he was not. The photograph made her an instant icon of art and sex. Babitz spent the rest of the decade rocking and rolling on the Sunset Strip, honing her notoriety. There were the album covers she designed: for Buffalo Springfield and the Byrds, to name but a few. There were the men she seduced: Jim Morrison, Ed Ruscha, Harrison Ford, to name but a very few. Then, at nearly thirty, her It girl days numbered, Babitz was discovered—as a writer—by Joan Didion. She would go on to produce seven books, usually billed as novels or short story collections, always autobiographies and confessionals. Under-known and under-read during her career, she’s since experienced a breakthrough. Now in her mid-seventies, she’s on the cusp of literary stardom and recognition as an essential—as the essential—LA writer. Her prose achieves that American ideal: art that stays loose, maintains its cool, and is so simply enjoyable as to be mistaken for simple entertainment. For Babitz, life was slow days, fast company until a freak fire turned her into a recluse, living in a condo in West Hollywood, where author Lili Anolik tracked her down in 2012. Hollywood’s Eve, equal parts biography and detective story “brings a ludicrously glamorous scene back to life, adding a few shadows along the way” ( Vogue) and “sends you racing to read the work of Eve Babitz” ( The New York Times). Review “A swooning, sometimes madcap look at Babitz...compelling.” — The Washington Post “Fills in many of the gaps in our knowledge of Babitz’s life and work...What Hollywood’s Eve has going for it on every page is its subject’s utter refusal to be dull… It sends you racing to read the work of Eve Babitz.” —Dwight Garner, The New York Times “Anolik’s book brings a ludicrously glamorous scene back to life, adding a few shadows along the way to give Babitz’s sun-bleached biography more nuanced contours.” —Vogue “Anolik’s fantasy Eve reflects Babitz’s brilliance at self-presentation.” —Harper’s “Anolik now presents the full jaw-dropping drama of Babitz’s on-the-edge life and complicated personality, paired with an account of Anolik's pursuit of her wily subject. With the recent reissue of Babitz's books, this radical American writer of stunning verve, candor, and insight is truly a phoenix rising.” —Booklist “The Eve Babitz story you've been looking for—a true page-turner about an icon of Los Angeles' 1960s art scene that'll satisfy your thirst for glitz, glam, and drama.”— Women’s Day “[A] loving and perceptive new book on Babitz… [Babitz’s] unique and entertaining body of work is now crowned by Lili Anolik’s Hollywood’s Eve.”— Los Angeles Review of Books “Vital and clarifying….wonderful.” — NPR.org “Perfect for fans of Hollywood in its glory years, this is a biography energetically told.” — Publishers Weekly “[A] smart, fast-paced meditation on Babitz … Anolik sees her as ruthless, unencumbered, unapologetic. In other words, an artist.” — BookPage “ Hollywood’s Eve does not fit the mold of a biography—it’s a bona fide love story. Anolik achieves an incredible intimacy with her subject, who talks to almost no one these days.” —Kirkus Reviews “From Joan Didion to Harrison Ford to Steve Martin, the book is chockablock with stories both salacious and soulful, exactly the kind of poetically enticing account (with just the right amount of tawdry) Babitz herself delivered so sharply.”— The AV Club “There’s no doubt that Anolik