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Product Description Life at the prestigious Q High School for Girls in Tokyo exists on a precise social axis: a world of insiders and outsiders, of haves and have-nots. Beautiful Yuriko and her unpopular, unnamed sister exist in different spheres; the hopelessly awkward Kazue Sato floats around among them, trying to fit in.Years later, Yuriko and Kazue are dead — both have become prostitutes and both have been brutally murdered. Natsuo Kirino, celebrated author of Out, seamlessly weaves together the stories of these women’s struggles within the conventions and restrictions of Japanese society. At once a psychological investigation of the pressures facing Japanese women and a classic work of noir fiction, Grotesque is a brilliantly twisted novel of ambition, desire, beauty, cruelty, and identity by one of our most electrifying writers. Review “Vengefully mesmerizing. . . . Kirino turns an unerring eye toward the vicious razors of the adolescent female mind.” — San Francisco Chronicle “Kirino helps us aficionados of crime fiction imagine the kind of novels James M. Cain might have written if he had been a Japanese feminist. . . . Emotionally harrowing.” —Maureen Corrigan, Fresh Air (NPR) “A layered exploration of the human psyche, of the conflict inherent in need and desire, shame and humiliation. . . . A powerful study of people humbled at the altar of superficial values.” — The Philadelphia Inquirer “Kirino provides an energized thrill ride as she also examines the sometimes-stifling stranglehold of Japan’s social hierarchy, especially for women.” — Seattle Post-Intelligencer About the Author Natsuo Kirino, born in 1951, quickly established a reputation in her country as one of a rare breed of mystery writers whose work goes well beyond the conventional crime novel. This fact has been demonstrated by her winning not only the Grand Prix for Crime Fiction in Japan for Out in 1998, but one of its major literary awards--the Naoki Prize--for Soft Cheeks (which has not yet been published in English), in 1999. Several of her books have also been turned into feature movies. Out was the first of her novels to appear in English and was nominated for an Edgar Award.TRANSLATOR: Rebecca L. Copeland, professor of Japanese literature at Washington University in St. Louis, Missouri, was born in Fukuoka, Japan, the daughter of American missionaries. She received her Ph.D. in Japanese Literature from Columbia University in 1986. She has published numerous scholarly studies on and translations of modern Japanese women's writing. Excerpt. © Reprinted by permission. All rights reserved. Chapter One: A Chart of Phantom ChildrenWhenever I meet a man, I catch myself wondering what our child would look like if we were to make a baby. It’s practically second nature to me now. Whether he’s handsome or ugly, old or young, a picture of our child flashes across my mind. My hair is light brown and feathery fine, and if his is jet black and coarse, then I predict our child’s hair will be the perfect texture and color. Wouldn’t it? I always start out imagining the best possible scenarios for these children, but before long I’ve conjured up horrific visions from the very opposite end of the spectrum.What if his scraggly eyebrows were plastered just above my eyes with their distinctive double lids? Or what if his huge nostrils were notched into the end of my delicate nose? His bony kneecaps on my robustly curved legs, his square toenails on my highly arched foot? And while this is going through my mind, I’m staring holes in the man, so of course he’s convinced that I have a thing for him. I can’t tell you how many times these encounters have ended in embarrassing misunderstandings. But still, in the end my curiosity always gets the best of me.When a sperm and an egg unite, they create an entirely new cell—and so a new life begins. These new beings enter the world in all kinds of shapes and sizes. But what if, when the sperm and the