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Product description Girls to the Front is the epic, definitive history of Riot Grrrlthe radical feminist uprising that exploded into the public eye in the 1990s and included incendiary punk bands Bikini Kill, Bratmobile, Heavens to Betsy, and Huggy Bear. A dynamic chronicle not just a movement but an era, this is the story of a group of pissedoff girls with no patience for sexism and no intention of keeping quiet. From Publishers Weekly A Brooklyn-based journalist gives a brash, gutsy chronicle of the empowering music and feminist movement of the early 1990s led by young women rock groups like Bikini Kill and Bratmobile. Politicized by such national events as the backlash against feminism in the press, the first Iraq War, and the Supreme Court's gearing up to review Roe v. Wade, young women were incensed. Kathleen Hanna, a college student from Olympia, Wash., was spurred to action after interviewing writer Kathy Acker and working for a domestic violence shelter, and she decided to start a band. Hanna, along with Tobi Vail, a fanzine writer (Jigsaw) and former punk rocker who was dating Nirvana's Kurt Cobain, were on a mission to spread female rebellion via their band, Bikini Kill. Meanwhile, Allison Wolfe and Molly Neuman, who had met at the University of Oregon, were in Washington, D.C., cobbling together their own band, Bratmobile. Thus, writes Marcus in this compelling account, the Grrrl Revolution was sparked. Marcus enthusiastically tracks the "scattered cartographies of rebellion" and captures the combustible excitement of this significant if short-lived moment. Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Booklist *Starred Review* Marcus’ compelling history covers a specific time period, 1989–1994, and a particular type of music that turned into a larger social movement. The riot grrrl movement was a potent form of female empowerment as well as a postfeminist reaction to sexism and the rising number of sexual assaults against women when expectations for equality were high. A writer and musician, Marcus describes some of the major players on the scene, including individuals (Kathleen Hanna, Tobi Vail) and bands (Bikini Kill, Heavens to Betsy)—all set against the backdrop of the so-called postfeminist period. She tells colorful anecdotes (such as the origin of the title of Nirvana’s breakthrough single “Smells like Teen Spirit”). She describes the music scene in such important riot grrrl locations as the Pacific Northwest and Washington, D.C., and chronicles the rise of riot grrrl zines and riot grrrl conventions. In all, Marcus has done a commendable job of telling the little-known history of an important social and cultural movement. --June Sawyers Review “Not only a historical rockument of the revolutionary 90s counterculture Riot Grrrl movement, which birthed the DIY feminist punk scene, but also a rousing inspiration for a new generation of empowered rebel girls to strap on guitars and stick it to The Man.” -- Vanity Fair “Exhilarating. . . . The well-documented history Riot Grrrl deserves. . . . Marcus writes with the empathy, grace, and balance of a good war correspondent. . . . Her book will undoubtedly prompt a whole new generation of teenage girls.” -- Los Angeles Times “A painstakingly researched and well thought-out tribute to a punk feminist era Sara Marcus clearly holds dear. . . . It should be heralded as an uncannily insightful revelation of the motivations and inner-workings of Riot Grrrl.” -- Allison Wolfe, New York Press “A fascinating social history. . . . In her impassioned study, Marcus focuses on the girls in the crowd as much as stars like Bikini Kill, placing the story in the context of liberalism’s post-Reagan crisis and mapping a civilization of Xeroxed jeremiads.” -- Rolling Stone “Feminism seems to change every five years. It’s hard to grasp the movement. . . . Girls to the Front is not just a keeper of the flame but br