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Product Description First published in Italy in 1957 amid international controversy, Doctor Zhivago is the story of the life and loves of a poet/physician during the turmoil of the Russian Revolution. Taking his family from Moscow to what he hopes will be shelter in the Ural Mountains, Zhivago finds himself instead embroiled in the battle between the Whites and the Reds. Set against this backdrop of cruelty and strife is Zhivago's love for the tender and beautiful Lara, the very embodiment of the pain and chaos of those cataclysmic times. Pevear and Volokhonsky masterfully restore the spirit of Pasternak's original—his style, rhythms, voicings, and tone—in this beautiful translation of a classic of world literature. Review “One of the very great books of our time.” —The New Yorker“Pevear and Volokhonsky have done a masterly job translating what ought to be considered the definitive English edition of Doctor Zhivago.” —The New Criterion“A welcome opportunity for anyone who has already read Dr. Zhivago to revisit it and experience a richly rewarding fresh take on an epic tale. For those coming to it for the first time it is a chance to read one of the greatest novels of all times.” —New York Journal of Books “As well as a gripping story, Doctor Zhivago is a work of meditation and quiet challenge. Pasternak meant every word of it. I believe he would be pleased with the powerful fidelity of the translation now before us.” —Angela Livingstone, The Times Literary Supplement (London) About the Author A poet, translator, and novelist, Boris Pasternak was born in Moscow in 1890. In 1958 he was awarded the Nobel Prize in Literature but, facing threats from Soviet authorities, refused the prize. He lived in virtual exile in an artists’ community near Moscow until his death in 1960. Excerpt. © Reprinted by permission. All rights reserved. Part One The Five O'Clock Express 1 They walked and walked and sang "Memory Eternal," and when they stopped, it seemed that the song went on being repeated by their feet, the horses, the gusts of wind. Passers-by made way for the cortège, counted the wreaths, crossed themselves. The curious joined the procession, asked: "Who's being buried?" "Zhivago," came the answer. "So that's it. Now I see." "Not him. Her." "It's all the same. God rest her soul. A rich funeral." The last minutes flashed by, numbered, irrevocable. "The earth is the Lord's and the fullness thereof; the world, and those that dwell therein." The priest, tracing a cross, threw a handful of earth onto Marya Nikolaevna. They sang "With the souls of the righteous." A terrible bustle began. The coffin was closed, nailed shut, lowered in. A rain of clods drummed down as four shovels hastily filled the grave. Over it a small mound rose. A ten-year-old boy climbed onto it. Only in the state of torpor and insensibility that usually comes at the end of a big funeral could it have seemed that the boy wanted to speak over his mother's grave. He raised his head and looked around from that height at the autumn wastes and the domes of the monastery with an absent gaze. His snub-nosed face became distorted. His neck stretched out. If a wolf cub had raised his head with such a movement, it would have been clear that he was about to howl. Covering his face with his hands, the boy burst into sobs. A cloud flying towards him began to lash his hands and face with the wet whips of a cold downpour. A man in black, with narrow, tight-fitting, gathered sleeves, approached the grave. This was the deceased woman's brother and the weeping boy's uncle, Nikolai Nikolaevich Vedenyapin, a priest defrocked at his own request. He went up to the boy and led him out of the cemetery. 2 They spent the night in one of the monastery guest rooms, allotted to the uncle as an old acquaintance. It was the eve of the Protection. The next day he and his uncle were to go far to the south, to one of the provincial capitals on the Volga, wh