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Product Description A modern take on a classical icon: this original, entertaining, well-researched book uses the story of when, where, and how Chopin composed his most famous work, uncovering many surprises along the way and showing how his innovative music still animates popular culture centuries later. The Frédéric Chopin Annik LaFarge presents here is not the melancholy, sickly, romantic figure so often portrayed. The artist she discovered is, instead, a purely independent spirit: an innovator who created a new musical language, an autodidact who became a spiritually generous, trailblazing teacher, a stalwart patriot during a time of revolution and exile. In Chasing Chopin she follows in his footsteps during the three years, 1837–1840, when he composed his iconic “Funeral March”— dum dum da dum—using its composition story to illuminate the key themes of his life: a deep attachment to his Polish homeland; his complex relationship with writer George Sand; their harrowing but consequential sojourn on Majorca; the rapidly developing technology of the piano, which enabled his unique tone and voice; social and political revolution in 1830s Paris; friendship with other artists, from the famous Eugène Delacroix to the lesser known, yet notorious in his time, Marquis de Custine. Each of these threads—musical, political, social, personal—is woven through the “Funeral March” in Chopin’s Opus 35 sonata, a melody so famous it’s known around the world even to people who know nothing about classical music. But it is not, as LaFarge discovered, the piece of music we think we know. As part of her research into Chopin’s world, then and now, LaFarge visited piano makers, monuments, churches, and archives; she talked to scholars, jazz musicians, video game makers, software developers, music teachers, theater directors, and of course dozens of pianists. The result is extraordinary: an engrossing, page-turning work of musical discovery and an artful portrayal of a man whose work and life continue to inspire artists and cultural innovators in astonishing ways. A companion website, WhyChopin, presents links to each piece of music mentioned in the book, organized by chapter in the order in which it appears, along with photos, resources, videos, and more. Review “It is almost impossible for me to imagine a world in which [Chopin’s ‘Funeral March’] is both fresh and tragic, where its death is real. Annik LaFarge’s charming and loving new book attempts to recover this world…This book took me into many unexpected corners…For a book about death, it’s bursting with life and lively research.” -- JEREMY DENK, New York Times "The lurid fantasies foisted on the composer since his death have made him almost unrecognisable — though Annik LaFarge does much to dispel them...an intensely personal journey through time, place and politics....LaFarge is weighty (and great) on the importance and singularity of Chopin’s friend and patron Astolphe de Custine...she has a good eye and ear for her subject, choosing her anecdotes with care." -- PAUL KILDEA, Spectator “[LaFarge's] loving pursuit of the man behind such music is an intriguing collage of people, places, relationships, instruments, and national struggles ... well worth reading. It is instructive, engaging, and sincere.” ― SUSAN BABBIT, New York Journal of Books “Annik LaFarge’s Chasing Chopin is a slim book but it stands out because it’s a hybrid work—biography and journalism—with utterly lovely, vivid descriptions of Chopin’s music.” ― POPMATTERS "[A] wonderful book...LaFarge's intellectual curiosity, free of any musical or ideological agenda, is infectious, and she brings the broad analysis of a polymath to her subject...[a companion] website is replete with pertinent videos and recordings that raises the bar on how music-themed books will be expected to incorporate multimedia henceforth.” ― Chronogram “LaFarge delves passionately into the history and culture—up to the present day—surrounding