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About Book Parts
Product Description What would an anatomy of the book look like? There is the main text, of course, the file that the author proudly submits to their publisher. But around this, hemming it in on the page or enclosing it at the front and back of the book, there are dozens of other texts--page numbers and running heads, copyright statements and errata lists--each possessed of particular conventions, each with their own lively histories. To consider these paratexts--recalling them from the margins, letting them take centre stage--is to be reminded that no book is the sole work of the author whose name appears on the cover; rather, every book is the sum of a series of collaborations. It is to be reminded, also, that not everything is intended for us, the readers. There are sections that are solely directed at others--binders, librarians, lawyers--parts of the book that, if they are working well, are working discreetly, like a theatrical prompt, whispering out of the audience's ear-shot Book Parts is a bold and imaginative intervention in the fast growing field of book history: it pulls the book apart. Over twenty-two chapters, Book Parts tells the story of the components of the book: from title pages to endleaves; from dust jackets to indexes--and just about everything in between. Book Parts covers a broad historical range that runs from the pre-print era to the digital, bringing together the expertise of some of the most exciting scholars working on book history today in order to shine a new light on these elements hiding in plain sight in the books we all read. Review "an engaging work of "book history as anatomy" ... each of the contributors to Book Parts finds their own metaphorical vocabulary to describe the relationship between book part and main text." -- James Waddell, Times Literary Supplement "Recommended. Upper-division undergraduates through faculty and professionals." -- M. C. Cohen, CHOICE "Duncan and Smyth contextualize their undertaking with an unusually self-conscious introduction that does not spend time giving us synopses of each chapter ... There is little need to speak of the whole collection when it is this well edited and each part feels in concert with the others ... It is the drama of this shadowy realm that Smyth and Duncan's collection, both in whole and in part, demonstrates for us." -- Nicholas D. Nace, The Book Collector About the Author Dennis Duncan, Writer and translator,Adam Smyth, Professor of English Literature and the History of the Book Balliol College, Oxford University Dennis Duncan is a writer and translator based in London. He is currently writing a history of the book index, from the medieval period to the age of the Kindle, to be published by Penguin in 2020, and is author of The Oulipo and Modern Thought (Oxford University Press, 2019). His recent articles have considered Mallarme and jugs, James Joyce and pornography, and the history of the Times New Roman typeface. Dr Duncan writes on bibliography and French literature for the Times Literary Supplement, and has published translations of Michel Foucault, Boris Vian, and Alfred Jarry. Adam Smyth is Professor of English Literature and the History of the Book at Balliol College, Oxford. His most recent books include Material Texts in Early Modern England (Cambridge University Press, 2018); Autobiography in Early Modern England (Cambridge University Press, 2010); A History of English Autobiography (edited, Cambridge University Press, 2016); and Book Destruction from the Medieval to the Contemporary (edited with Gill Partington, Palgrave, 2014). He is the co-editor of Routledge's book series Material Readings in Early Modern Culture. He also enjoys discussing his work beyond the academy: he writes regularly for the London Review of Books, and has appeared on TV and radio in the UK and abroad. Adam Smyth is the co-host of the literary discussion podcast and radio show, Litbits.
