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Above the Rim: How Elgin Baylor Changed Basketball

Product ID : 44472081


Galleon Product ID 44472081
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About Above The Rim: How Elgin Baylor Changed Basketball

Product Description Winner of 2021 Orbis Pictus Award!The story of Elgin Baylor, basketball icon and civil rights advocate, from an all-star team Hall-of-famer Elgin Baylor was one of basketball’s all-time-greatest players—an innovative athlete, team player, and quiet force for change. One of the first professional African-American players, he inspired others on and off the court. But when traveling for away games, many hotels and restaurants turned Elgin away because he was black. One night, Elgin had enough and staged a one-man protest that captured the attention of the press, the public, and the NBA.Above the Rim is a poetic, exquisitely illustrated telling of the life of an underrecognized athlete and a celebration of standing up for what is right. From School Library Journal K-Gr 4-Bryant and Morrison team up to honor 11-time NBA All-Star and Hall of Famer Elgin Baylor (b. 1934). This captivating account chronicles Baylor's rise to basketball stardom in spite of the obstacles he faced in the segregated cities of his childhood and throughout his career. The poetic narrative captures Baylor's unique style of play in the early days of the NBA: "The way he played was so different that people stopped what they were doing and watched." This observation not only reflects those who witnessed Baylor's seemingly effortless and gravity-defying moves on the court, but it is used to describe those who stopped to watch the historic acts of courage of Rosa Parks and Ruby Bridges. Neither Baylor's influence nor Bryant's story is limited to the world of basketball. After Baylor staged his own peaceful protest against segregation during an NBA game in 1959, the league took its first steps toward recognizing and rectifying the discrimination that Black players faced as they traveled the country. Morrison's vibrant oil paintings fill the pages with personality, energy, and movement. His signature elongated figures are perfectly suited to depict the 6'5" baller. An author's note, suggested reading, notes, and an extensive time line enhance the value of this book. VERDICT This inspirational and timely portrait of a lesser-known hero of the sports world and the civil rights movement belongs in every school library.-Lynn Van Auken, Oak Bluffs Sch., MAα(c) Copyright 2011. Library Journals LLC, a wholly owned subsidiary of Media Source, Inc. No redistribution permitted. Review **STARRED REVIEW** "Morrison’s captivating oil paintings feature dramatic compositions, rich colors, and the artist’s distinctive, elongated figures. Equally impressive is his ability to portray the emotional depths of individuals, from small-minded segregationists to heroes of the civil rights movement. Strong storytelling and riveting artwork make this a memorable picture book."―Booklist**STARRED REVIEW** "With lively verse and elegant oil paintings, Bryant and Morrison masterfully place Baylor’s midair “slashing, crashing, gliding” basketball heroics in the context of his times." ―The Horn Book**STARRED REVIEW** "Morrison’s vibrant oil paintings fill the pages with personality, energy, and movement. His signature elongated figures are perfectly suited to depict the 6’5” baller... Inspirational and timely."―School Library Journal"Morrison’s lengthened lines in his stylized oil-on-board illustrations sinuously depict Baylor’s gravity-defying grace."―Publishers Weekly"Morrison’s captivating oil on board scenes sear Baylor’s tale into eyes and memories. The artist’s signature long-and-lanky character styling is the perfect match, with the flying tangle of airborne legs a glorious theme for his disciplined composition, and the elegant stature of Baylor himself underscoring his dignified, principled protest."―Bulletin of the Center for Children's Books"With Baylor’s story, Bryant and Morrison demonstrate that NBA players have a long history of speaking (or, in Baylor’s case, sitting) out against injustices in society. Bryant’s spare, emphatic text rela