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Allen & Heath's GS-R24 Studio Recording Mixer combines refined analog quality with a choice of analog or Fire wire/ADAT interface modules and MIDI control for your chosen DAW or recording device. Designed to sit at the heart of a busy project studio, GS-R24 has the flexibility and audio excellence to enhance the impact of your recordings. With an easily removed interface card, it can be future-proofed against fast-moving technology, helping it to gain the status of a true modern classic. The console features 24 XLR and line inputs with low-noise pre-amplifiers. Each channel includes a ¼-inch direct output jack socket, a ¼-inch insert jack socket, gain control from +6 to +60 dB for the XLR socket and -14 to +40 dB for the line input jacks, a switch between line and XLR with a 20 dB pad, a polarity reverse switch, 100 Hz hi-pass filter switch, and a +48V phantom power switch to the XLR input. For equalization, each mono input channel features a high frequency equalizer knob with a corner frequency of 12,000 Hz, a high mid frequency equalizer with a Q factor between 0.8 and 6, a low mid frequency equalizer with variable Q between 0.8 and 6, a low frequency equalizer with a corner frequency of 60 Hz, and an EQ bypass button. By default, each mono input channel includes two pre-fader auxiliary sends for sending to an auxiliary bus, two switchable pre- or post-fader auxiliary sends, and two post-fader auxiliary sends for effects. Finally, each mono input channel also includes a pan control, push buttons for routing to audio sub-groups and the mono mix bus, push buttons for DAW send, DAW return to channel pre insert, DAW return to channel post EQ, a fader bypass switch, mute switch, solo/select switch, and a 100mm fader. For outputs, the mixer features six auxiliary jacks, four group output jack sockets, two pairs of stereo studio feed output jack sockets, two balanced XLR main outs, six 5.1 surround sound jack sockets, a 2-track out, and a headphone output.