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About The Hub: Pioneers Of Network Music
Product Description The US ensemble The Hub is one of the pioneers of network music and live coding. The formation consisting of Tim Perkis, Scot Gresham-Lancaster, Chris Brown, John Bischoff, Phil Stone, and Mark Trayle emerged from the League of Automatic Music Composers in 1986. They revolutionized electronic music with democratically organized composition and performance processes operating in networks and received the GigaHertz Prize from the ZKM | HertzLab. The publication depicts the collective’s work in a historical context, allows companions and musicologists to have their say and brings together the group’s (annotated) compositional writings for the first time. These scores form the heart of the book and are not only archival documents, but also instructions for playing and the starting point for future projects of a new generation of network music. About the Author Ludger Brümmer (b. 1958, Werne, Germany) is a composer and professor of composition. Since 2017, he has been working as director of the Hertz-Lab at ZKM | Center for Art and Media Karlsruhe. From 2003 to 2017, he was head of the former Institute for Music and Acoustics. His music focuses on the use of the computer both as an artistic means of composition and for electronic sound production. The Hertz-Lab focuses on artistic production and media technology research. The Hub is an American "computer network music" ensemble formed in 1986 consisting of John Bischoff, Tim Perkis, Chris Brown, Scot Gresham-Lancaster, Mark Trayle and Phil Stone. ... The Hub grew from the League of Automatic Music Composers: John Bischoff, Tim Perkis, Jim Horton, and Rich Gold. The Hub was the first live computer music band whose members were all composers, as well as designers and builders of their own hardware and software. In 2018, The Hub was awarded the Giga-Hertz Prize for lifetime achievement in electronic music by ZKM in Karlsruhe, Germany. John Lee Bischoff (b.1949), is an American composer, musical performer, teacher and grassroots activist best known as an early pioneer of live computer music. He also gained fame for his solo constructions in real-time synthesis as well as his ground-breaking work in computer network bands. After earning his Bachelor of Fine Arts degree from California Institute of the Arts in 1971 and his Master of Fine Arts from Oakland's Mills College in 1973, he studied composition with Robert Moran, James Tenney and Robert Ashley. Tim Perkis has been working in the medium of live electronic and computer sound for many years, performing, exhibiting installation works and recording in North America,Europe and Japan. His work has largely been concerned with exploring the emergence of life-like properties in complex systems of interaction. He has taught at the California Institute of the Arts (CalArts) and the California College of the Arts (CCA). Chris Brown, composer, pianist, and electronic musician, makes music with self-designed sonic systems that include acoustic and electroacoustic instruments, interactive software, computer networks, microtonal tunings, and improvisation. His compositions are designs for performances in which people bring to life the musical structures embedded in scores, instruments, and machines. Since 1990 he taught composition, electronic music, theory, world music, and contemporary performance practice as Professor of Music and Co-Director of the Center for Contemporary Music (CCM) at Mills College in Oakland, California, and is currently Professor Emeritus.
