The World in Six Songs: How the Musical Brain Created Human Nature

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About The World In Six Songs: How The Musical Brain

Product Description Analyzes six evolutionary musical forms while identifying neural impulses that reflect the brain's development in accordance with music, drawing on cutting-edge scientific findings as well as the writer's experiences as a musician to illuminate the sophisticated biological process that accompanies the musical experience. From Publishers Weekly Charles Darwin meets the Beatles in this attempt to blend neuroscience and evolutionary biology to explain why music is such a powerful force. In this rewarding though often repetitious study by bestselling author Levitin ( This Is Your Brain on Music), a rock musician turned neuroscientist, argues that music is a core element of human identity, paving the way for language, cooperative work projects and the recording of our lives and history. Through his studies, Levitin has identified six kinds of songs that help us achieve these goals: songs of friendship, joy, comfort, knowledge, religion and love. He cites lyrics ranging from the songs of Johnny Cash to work songs, which, he says, promote feelings of togetherness. According to Levitin, evolution may have selected individuals who were able to use nonviolent means like dance and music to settle disputes. Songs also serve as memory-aids, as records of our lives and legends. Some may find Levitin's evolutionary explanations reductionist, but he lightens the science with personal anecdotes and chats with Sting and others, offering an intriguing explanation for the power of music in our lives as individuals and as a society. (Aug.) Copyright © Reed Business Information, a division of Reed Elsevier Inc. All rights reserved. From Bookmarks Magazine Fans that have read This Is Your Brain on Music are in for another treat; newcomers to Levitin will still find much to enjoy in this consideration of music and human civilization. Levitin writes with both knowledge of neuroscience and evolutionary biology and a deep appreciation for the musician’s craft—one that will resound loudly with musicophiles. The New York Times Book Review, however, questioned some of Levitin’s “unprovable” scientific claims, and others faulted him for taking a reductionist view of evolution, shamelessly namedropping, cherry-picking songs from a select era, and failing to edit a verbose tome. Despite such flaws, most readers will find something to connect with in the book—even if it’s just one song. Copyright 2008 Bookmarks Publishing LLC About the Author Daniel J. Levitin runs the Laboratory for Musical Perception, Cognition, and Expertise at McGill University. Before becoming a research scientist, he was a record producer and professional musician. As a producer, he has a number of gold records to his credit, and has worked on albums by artists such as Stevie Wonder, Steely Dan, Midnight Oil, and kd lang. He has played professionally with Mel Torme, Blue Oyster Cult, and David Byrne, and has published extensively in scientific journals such as Science and Neuron and audio trade journals such as Grammy, Billboard, and Audio.