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This piece is part of a series of digital artworks themed "NightBlooms". One in which I re-imagine, re-assemble and re-image the natural world, into a new visual world order. These images are concerned much more with form, shape, allegory, visual and anthropomorphic relationships, composition and the emotional range of color than they are with flowers in a botanical sense, although without flowers none of them ever would have been made. They have a distant artistic antecedent in the works of Jan Brueghel the elder, who loved to paint flowers against a black background. They are more akin to paintings than to photographs. I have had a lifelong love of Japanese wood block prints. As a child, I was exposed to prints by Hokusai, Hiroshige and Hiroshi Yoshida. My mother (born and raised in China and Japan) had original prints by all of these artists which were on the walls of our New York City apartment from the time of my birth. I spent many years as a traditional and experimental printmaker, starting at age fifteen with wood and linoleum block prints. I moved on to stone lithography, etching, photo etching, photo silkscreening and cyanotypes. The toxic chemicals associated with these methods helped me transition into the digital realm