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SOUTHERN SOLDIER: Favorite Camp Songs of the Civil
SOUTHERN SOLDIER: Favorite Camp Songs of the Civil
SOUTHERN SOLDIER: Favorite Camp Songs of the Civil

SOUTHERN SOLDIER: Favorite Camp Songs of the Civil War

Product ID : 5288304


Galleon Product ID 5288304
UPC / ISBN 783707400624
Shipping Weight 0.18 lbs
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Model
Manufacturer Cd Baby
Shipping Dimension 5.55 x 4.96 x 0.55 inches
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1,370

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About SOUTHERN SOLDIER: Favorite Camp Songs Of The Civil

Review "Let's you hear the real sound of a time and place... Artful performance done with understanding." -- Civil War Times Illustrated, March 1999"Some of the best old-time minstrel sounds I've heard... Their interpretation is excellent. I highly recommend it!" --Banjo Newsletter, September 1998 "These guys can really play! ...found myself wishing the music wouldn't end... a most welcome addition to any campfire." --Camp Chase Gazette, July 1998 Camp Chase Gazette, July 1998 "This CD is a hoot! ...it's a good thing there are no grooves on the CD to wear out." --Civil War News, December 1998 Product Description Robert E. Lee once said, 'We couldn't have an army without music.' Throughout history, music has always been of great importance to the military. The American Civil War was no exception. Critical group activities such as drilling and marching were taught to rhythm so as to forge automatic responses by constant repetition - an effective tool for teaching troops maneuvers needed for going into battle. Bugle calls and drum figures were components of music used to instruct new recruits and to guide veteran soldiers in the field. But perhaps the most important use of music was not on the parade ground or battlefield. Often in war there are long periods between battles spent waiting in camp or bivouac. Boredom was one of the soldier's worst enemies and music in camp was one of his principal antidotes. On campaign, regimental brass bands and field musicians playing fife and drum performed on the march and in bivouac. In winter quarters it was the camp band or minstrel troupe's job to keep up morale. Every brigade had it's own minstrel show, with commanders trading or commandeering the best talent for their band. The 2nd South Carolina String Band is a true recreation of such a camp band. These musicians originally met as did those among the volunteers of 1861 - as riflemen in a company of infantry. This band was formed as theirs was - to entertain themselves and their comrades around the campfire. Since 1989 when they first began to play together, some of the founding members have retired and some new men joined, but the music has continued to improve and flourish. Regarded by many as the best band of their kind, they have played in concert and at period dances at nearly all of the major national reenactments of the last ten years, for fund raisers as at the Museum of the Confederacy in Richmond, Virginia, and at the dedication ceremonies for the last two monuments to ever be placed at Gettysburg National Battlefield Park. Their music can also be heard in two of Ken Burns' films, JAZZ and MARK TWAIN, as well as in performance and on the sound track of Ted Turner's GODS &GENERALS. The 2nd South Carolina String Band is one of the most active and popular Civil War camp bands in America today. With three albums and an hour-long video of music to their credit, these boys are enjoyed by reenactors and anyone else who likes a rollicking good time. Their music is boisterous and high spirited, evoking the days when soldiers entertained their comrades around the campfire with the tunes of great American composers like Dan Emmett and Stephen Foster. Listening to the 2nd South Carolina String Band is an exciting experience that brings the sounds of the past to life. Southern Soldier is a collection of songs and melodies which were well known to Southerners and Northerners alike; tunes that were a familiar and comfortable part of life in the years leading up to the War Between the States. Many of these compositions were written by the likes of Stephen Foster and Daniel Emmett, giants of the popular music industry of their day. Some of the titles, Ol' Dan Tucker, Dixie's Land, and Hard Times Come Again No More, are still familiar to the modern-day ear. Other titles on this album, though not familiar to the eye, will be quickly recognizable to the ear. ALL selections on this album are performed on authentic instruments of t