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Blackmagic Design URSA Mini Pro 12K Camera
Blackmagic Design URSA Mini Pro 12K Camera
Blackmagic Design URSA Mini Pro 12K Camera
Blackmagic Design URSA Mini Pro 12K Camera

Blackmagic Design URSA Mini Pro 12K Camera

Product ID : 47900813
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Galleon Product ID 47900813
Shipping Weight 9.1 lbs
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Model CINEURSAMUPRO12K
Manufacturer Blackmagic Design
Shipping Dimension 12.48 x 9.02 x 9.02 inches
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Blackmagic Design URSA Mini Pro 12K Camera Features

  • URSA Mini Pro 12K Camera - Turret Dust Cap - PL Lens Mount - Power Supply - DaVinci Resolve Studio Activation Key - Blackmagic Design 1 Year Limited Warranty

  • 12,288 x 6480 12K Super 35 sensor

  • Use for feature films, VFX and high end TVC's

  • 14 stops of dynamic range and native 800 ISO

  • New Blackmagic RAW for real time 12K editing


About Blackmagic Design URSA Mini Pro 12K Camera

Introducing the World's Most Advanced Digital Film Camera!Blackmagic URSA Mini Pro 12K is a revolution in digital film with a 12,288 x 6480 12K Super 35 sensor and 14 stops of dynamic range, built into the award winning URSA Mini body. The combination of 80 megapixels per frame, new color science and the flexibility of Blackmagic RAW makes working with 12K a reality. Oversampling from 12K gives you the best 8K and 4K images with the subtle skin tones and extraordinary detail of high end still cameras. You can shoot at 60 fps in 12K, 110 fps in 8K and up to 220 fps in 4K Super 16. URSA Mini Pro 12K features an interchangeable PL mount, as well as built in ND filters, dual CFast and UHS-II SD card recorders, a SuperSpeed USB-C expansion port and more. DaVinci Resolve Studio is included for creative control through post from editing to color, VFX and more!Digital Film, Extreme ResolutionURSA Mini Pro 12K's extreme resolution goes well beyond traditional motion picture film! You get the benefits of shooting with film including incredible detail, wide dynamic range and rich, deep color. Perfect for feature films, episodic television and immersive, large format IMAX. The incredible definition around objects makes it ideal for working with green screen and VFX including compositing live action and CGI. Super sampling at 12K means you not only get better color and resolution at 8K, but also a smoothness that comes from making aliasing invisible. This new