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The Five: The Untold Lives of the Women Killed by Jack the Ripper
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About The Five: The Untold Lives Of The Women Killed By
Product Description Winner of the Baillie Gifford Prize for Nonfiction and of the Goodreads Choice Award for History & Biography The award-winning, best-selling book that changes the narrative of the “Ripper” murders forever Polly, Annie, Elisabeth, Catherine, and Mary Jane are famous for the same thing, though they never met. They came from some of London’s wealthiest and poorest neighborhoods, from the factory towns of middle England, and from Wales and Sweden. They wrote ballads, ran coffeehouses, lived on country estates; they breathed ink dust from printing presses and escaped human traffickers. What they had in common was the year of their murders: 1888. The person responsible was never identified, but the character created by the press to fill that gap has become far more famous than any of these five women. Now, in this gripping narrative of five lives, Hallie Rubenhold finally sets the record straight and gives these women back their stories. Review A New York Times Book Review ‘Summer Reading Best True Crime’ A Washington Post ‘20 Books to Read This Summer’ An Oprah.com ‘20 Best True Crime Books That’ll Make You Want to Sleep With the Lights On’ “Rubenhold has produced a significant study of how poor and working-class women subsisted in an unforgiving age.”—The New York Times Book Review “Hallie Rubenhold’s hard-edged, heartbreaking biographies of the five women killed by Jack the Ripper over two months in 1888 offer a blistering counter-narrative to the ‘male, authoritarian, and middle class’ legend of a demonic superman preying on prostitutes… Her riveting work, both compassionate group portrait and stinging social history, finally gives them their due.”—The Washington Post “The five London women murdered by Jack the Ripper, in 1888, were long assumed to be prostitutes. This history shows otherwise, presenting deeply researched portraits of the victims as they lived: they were all poor, some to the point of homelessness; they were all apparently killed while asleep; and, with one exception, they were known by family and acquaintances not to be prostitutes. Each had a distinct story that has never been fully or truthfully told. Why Victorians preferred to embrace the myth is one question that guides the book; why we continue to do so is another.”—The New Yorker “All too often, murder victims’ stories are relegated to the footnotes of history, overshadowed by not only their violent ends, but the looming specter of their killers. In The Five, historian Hallie Rubenhold sets out to correct this imbalance, placing the focus on [the victims] rather than the still-unidentified serial killer who ended their lives in 1888.”—Smithsonian “An effort to remedy the Ripper imbalance.”—Time “A must for Ripperologists.”—Publishers Weekly, starred review “Essential to students of Ripperiana.”—Kirkus Reviews “Focusing on [the victims] backstories rather than the forensic details of their deaths, Rubenhold puts them back into their larger social context.”—Jezebel “Jack the Ripper continues to be a mystery, but these women are now less so.”—Bust “Rubenhold does a commendable job in bringing these women on stage and through their stories illuminating the appalling reality behind the veneer of Victorian complacency. For these women, and millions like them, life in Victorian England was not an episode of Masterpiece Theater.”—New York Journal of Books “The Five is a long-overdue investigation that shines the spotlight on [the victims], giving context to who they were and what circumstances molded their lives.”—Hypable “At last, the Ripper's victims get a voice...An eloquent, stirring challenge to reject the prevailing Ripper myth." —The Mail on Sunday “[A]n angry and important work of historical detection…The Five is not simply about the women who were murdered in Whitechapel in the autumn of 1888: it is for them. This is a powerful and a shaming book, but most shameful of all is that it took 130 years to write.” —The Guardian "A rem
