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Product Description Copy, paste: Basquiat's collaged Xerox paintings presage today's sampling aesthetics Jean-Michel Basquiat: Xerox provides the first concentrated examination of the extraordinary body of work that the artist created using Xerox copies as his principal medium and compositional focal point. These immersive, collaged Xerox paintings epitomize Basquiat’s extraordinary instinct for visual language. Their raw, allover compositions incorporate recycled and transformed signs and markings from the artist’s everyday experiences, including motifs from his earlier artworks.The intricate web of content in this series presages the copy-paste sampling characteristic of the subsequent internet and post-internet generations, positioning Basquiat as a pioneer of the pre-digital age.Jean-Michel Basquiat (1960–88) grew up in Brooklyn. Notoriety came early, from his street paintings made under the tag SAMO. Later he stormed the gallery world, and became an icon of New York's vibrant early-’80s downtown scene, a friend to and collaborator with Andy Warhol and Francesco Clemente, and the cover boy for a 1985 New York Times Magazine story on the new art market. He died following a heroin overdose at 27. From the Inside Flap Controversial cult artist, enfant terrible of the art world, friend of Haring and Warhol, and both idol and a victim of the art scene of the '80s-Jean-Michel Basquiat was a legend in his own lifetime. This catalog, published in conjunction with the major retrospective at the Lugano Museum of Modern Art, provides an excellent overview of Basquiat's life and work. As an African-American painter, Basquiat has made a significant impact on the history of contemporary art. From his origins as a street graffiti artist, he became one of the most influential artists of his time: in 2005 his work is being celebrated in seperate exhibitions in the US and Europe. As emblems of the contemporary world, his explosive, colorful, and apparently naef canvases have an unparalleled force. The brief but intense artistic career of this celebrated proponent of the downtown New York art scene of the 1980s is covered through some fifty paintings and twenty works on paper drawn from prestigious private collections and museums. This book offers a new intense dialogue with the more modern expressions of twentieth-century art. About the Author Rudy Chiappini is Director of the Lugano Modern Art Museum.