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This book illustrates the basics of the Arpeggio Style and the Travis Style (alternating bass) forms of guitar vocal accompaniment. More specifically, you ll be using your fingers to pick the individual notes out of common chords to backup your voice instead of strumming or picking those chords with a pick. It s just a kinder, gentler way to play rhythm guitar. Think of Dust in the Wind, "Blackbird," Scarborough Fair, Landslide, Leader of the Band and Time in a Bottle. These are among the songs we ll use to explore this style.Learning the picking patterns themselves (presented in tablature, by the way) is fairly straightforward; the trick is in the coordination of the fretting and picking hands during the transitions from chord to chord. We'll cover a number of principles that help you navigate through these changes without losing the beat. At the end of the book, you ll see the 20 main arpeggios and the 20 main Travis patterns summarized for easy reference. Table of ContentsPart One: FINGERSTYLE BASICSNotationThe Picking HandPicking PhilosophiesThe Overlapping Tier SystemThe Fretting HandBass/Tier CombinationsPractice with Arpeggio #1The Continuity PrincipleThe Indiana Jones PrincipleMore ExamplesWorst-Case Continuity ScenarioThe ChallengeOther Meters: ¾ TimeOther Meters 6/8 TimeBack to 4/4 Time: Estudio Meet the TwinsOther Simple ArpeggiosArpeggios with Longer Sequences Allegro 3/3/2/Time20 Arpeggios: A RetrospectiveMixing Quarter and Eighth NotesMeet the ThreesomeMore Samples from the FieldGame Show: Scarborough Fair Bossa Nova: Girl From Ipanema Part Two: TRAVIS-STYLE BASICSTravis #1: Inside-Out MechanicsPractice: City of New Orleans Travis #2: Landslide Travis #3: Outside-InVariations: Travis #4 and #5Picking Pattern PotpourriTriple Alternating BassWalking BasslineTravis #6: The