We specialize in hard to find items
(4)
Photographic: The Life of Graciela Iturbide
Share Tweet
*Price and Stocks may change without prior notice
*Packaging of actual item may differ from photo shown
- Electrical items MAY be 110 volts.
- 7 Day Return Policy
- All products are genuine and original
About Photographic: The Life Of Graciela Iturbide
Product Description A 2018 Boston Globe Horn Book Nonfiction Award Winner and a 2018 Moonbeam Children's Books Gold Award Winner! Graciela Iturbide was born in Mexico City in 1942, the oldest of 13 children. When tragedy struck Iturbide as a young mother, she turned to photography for solace and understanding. From then on Iturbide embarked on a photographic journey that has taken her throughout her native Mexico, from the Sonora Desert to Juchitán to Frida Kahlo’s bathroom, to the United States, India, and beyond. Photographic is a symbolic, poetic, and deeply personal graphic biography of this iconic photographer. Iturbide's journey will excite readers of all ages as well as budding photographers, who will be inspired by her resolve, talent, and curiosity. From School Library Journal Gr 7 Up—Mixing original illustrations, first-person prose, and lyrical interludes with gorgeous reproductions of photographer Graciela Iturbide's work, Quintero and Peña patiently reveal their subject's many angles, producing a "kaleidoscopic unraveling" of the artist. In this presentation, time is fluid, the text moving between pivotal moments in Iturbide's career to explain reoccurring themes and concepts in her work. The graphic novel format lends itself particularly well to this nonlinear style, as Peña deftly portrays Iturbide over the course of 50 years. The illustrator incorporates much of the artist's signature motifs into the visuals, and his choice to use a black-and-white palette is another nod to Iturbide's point of view. This mesmerizing book conveys profound ideas yet also adheres to the artist's vision. (Quintero reminds readers that the use of words such as magical and surreal to describe Iturbide's work is incorrect; "her images are as real as they get.") Teens will come away with an evolved sense of how to look at a creator's life and work and how to think critically about art as a process. The importance of being seen, specifically in regard to indigenous communities in Mexico and Mexican Americans in the United States, as a narrative thread will resonate strongly with readers. VERDICT Quintero and Peña have set a new standard in artist biographies. A must for teen collections.—Della Farrell, School Library Journal Review **STARRED REVIEW** "Mixing original illustrations, first-person prose, and lyrical interludes with gorgeous reproductions of photographer Graciela Iturbide’s work, Quintero and Peña patiently reveal their subject’s many angles, producing a “kaleidoscopic unraveling” of the artists… Teens will come away with an evolved sense of how to look at a creator’s life and work and how to think critically about art as a process. The importance of being seen, specifically in regard to indigenous communities in Mexico and Mexican Americans in the United States, as a narrative thread will resonate strongly with readers. VERDICT Quintero and Peña have set a new standard in artist biographies. A must for teen collections." ― School Library Journal **STARRED REVIEW** “Striking black and white illustrations. . . . A powerful homage to the five-decade evolution of an artist still working—and still evolving—today.” ― The Horn Book **STARRED REVIEW** "Quintero and Peña’s biography of Mexican photographer Graciela Iturbide is far more than an account of her life . . . Eye-opening and masterfully rendered." ― Booklist "Quintero and Peña strike a good compromise, featuring many of Iturbide’s photographs as a complement to the biography, but without being dependent on them. The result is a book that expertly combines various aspects to become something utterly unique." ― Foreword Reviews “The graphic novel honors a provocative life by taking a provocative form." ― Publishers Weekly "From pieces such as Our Lady of the Iguanas, Juchitán, Oaxaca (1979) to Rosario and Boo Boo in Their Home, East L.A. (1986), we see Iturbide become one with her subjects, somehow transcending her role as photographer and entering int
