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The Garbage Times/White Ibis: Two Novellas
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About The Garbage Times/White Ibis: Two Novellas
Product description “I love the pulse of Sam Pink’s sentences, the way they can hold the gorgeous and the grisly and the hilarious all at the same time. The Garbage Times/White Ibis thrilled me and messed me up, left me feeling a little dazed and a lot changed.” ―Laura van den Berg, author of The Third Hotel and Find Me From the freezing alleys of Chicago to the dew-blanketed bayou of Florida. From bouncing drunks and cleaning up puke to biking through the swamp laughing at peacocks. Freeze to thaw. Filth and broken glass and black water backed up in showers; lizards and Girl Scouts and themed birthday parties. A baby rat freed from the bottom of a dumpster becomes a white ibis wandering the wet driveway after a storm. Goodbye, hello, goodbye. It was the garbage times; it was time for something else. A tale of two tales, connected by a mysterious sunlit portal. Designed with tête-bêche binding as a single volume. Review Praise for The Garbage Times/White Ibis Chicago Review of Books, One of the Best New Books of May 2018 LitHub, One of the "Best Reviewed Books of the Week One of Dennis Cooper's Favorite Books of the Year "The novellas are hilarious and unabashedly honest in showing how bizarre life is, how unpredictable people are, and yet how each person craves love, dignity, freedom―the fundamental needs we all share. . . . There is a mysterious momentum at work in the voice-driven narrative, a Murakami-like invisible hand that guides these characters with a purpose to press on. . . . His stories are unique and true and impossible to put down―what more could anyone want?" ―Taylor Larsen, Los Angeles Review of Books "The Garbage Times are followed, almost giddily, by the up-and-away of White Ibis. And in this book, Pink has done something so new, so different, that I’m struck by what a stroke of genius it was to put the Chicago book right up against it for contrast . . . The Florida book is so expansive, so wild and lovely, so full of normal-ish people and exotic animals and the oddest thing of all in a Sam Pink book―a fleeting inner calm that almost borders on happiness . . . White Ibis is so powerful and so full of hope." ―Chicago Review of Books "Between awful jobs, country club soirées, reptile shows, and an unlikely turn entertaining a troop of Girl Scouts, the narrator and his girlfriend learn to thrive in 'the theme park state.' Pink certainly gets Florida right, and his prose is wonderfully offbeat." ―Publishers Weekly "The Garbage Times and White Ibis, a new pair of related novellas by Sam Pink, crackle with humanistic intimacy. . . . Pink’s best writing . . . wins him fierce and cultish admiration. Part of this, I think, he owes to his chosen subject. For all the attention political theorists and commentators have lately devoted to a definition of the working class, not much fiction chronicles the sheer weirdness of working-class life and labor today. . . . He’s also a keen observer of his kind, and the book brims over with the blasted personalities of Chicago’s low-wage labor force. . . . The details are funny, but they never come at the characters’ expense (as they do, for example, when Bukowski writes about 'subnormals'). Instead, Pink accords them a heightened humanity." ―The New Republic "Pink keeps putting out books and I keep putting everything aside to devour them. Why? Because reading Sam Pink is entering a world where humor and absurdity constantly collide with depression and the underlying violence/violent urges hidden in everyday life. Pink can make you laugh, cringe, and delve into a philosophical rabbit hole, sometimes all within the same paragraph." ―Gabino Iglesias, LitReactor "The Garbage Times/White Ibis is not only Pink’s latest; it might just be Pink’s best so far. . . . There are no easy descriptions when it comes to talking about Pink’s work. Unique comes to mind, but it fails to convey the ease with which he tackles deep themes like depression and self-loathing. Humorous also applies, but it doesn’t do justice to the way the author manages to bring readers into his life effortlessly and then shares with them devastating truths, both personal and universal. Likewise, words like entertaining, honest, wild, and self-aware all do the trick, but fall short because, even if used together, leave out some crucial element of Pink’s prose. The solution to this conundrum is easy: pull out a tired phrase and, as convincingly as possible, say to readers everywhere 'This is special, and the only way to truly get a sense for what’s going in in this book is to read it.' The Garbage Times/White Ibis is classic Pink in the sense that space, sentence structure, and even the humor are all there, but it also feels like a new step for the author. . . . If you have ever wondered how deep simplistic writing can be, then this is a book you should not miss. If you have ever asked yourself if an unabashedly honest view of life wrapped in a thin veil of hilarity could work, then the answer is to go read this right now. More than author, Pink is a one-person movement with a distinctive style, and this book adds yet another outstanding entry to a catalog that is already a must for anyone trying to get a real sense of what contemporary literature is all about." ―Vol. 1 Brooklyn "Pink is able to convey much with the simplest phrase. The trick is, you are invited into his world. And you are not told what to think...I love The Garbage Times because it represents a culmination of Pink's writing to this point." ―Joyless House "White Ibis is something of a departure from Pink’s oeuvre . . . as another unnamed narrator escapes from Chicago with his girlfriend to relocate to Tampa. The change of scenery, especially when put in contrast with the Chicago of The Garbage Times, feels like stepping into another dimension. Throughout both volumes, Pink’s prose continues to balance between goofy nihilism and absolute sincerity. He has always been a writer deeply concerned with the forgotten and abandoned pockets of humanity and that remains true in each of these books. As the narrator of White Ibis observes, 'Not everyone has a sash full of skills and a heart full of love.'" ―The Public, "Peach Picks" "These juxtaposed novellas are about how any benumbed existence, any circumstantial grind, can backfire and produce a mind, despite the will of our petty culture, despite the domestication every act of love unwittingly employs." ―Full Stop "The energy, pace and stream-of-consciousness writing in The Garbage Times/White Ibis pulls the reader along almost unconsciously. You’ll find yourself digging in, hanging on to every frenetic word and turn of phrase, laughing out loud and flipping through page after page." ―Popscure "By the end of Pink’s latest two-volume release, The Garbage Times/White Ibis . . . the narrator finally manages to uproot himself from Chicago, a surprising shift that results in the author’s most complete, engaging, and funniest work yet." ―PANK "From early on, Pink highlights the fact that the life of an artist isn’t glamourous. In the first novella, The Garbage Times, there is no lovely home, no bookshelves adorned with the all-time greats. It’s Chicago in the winter. A place where everything is cold, everyone suffers, and being an artist doesn’t mean you don’t have to clean up puke. . . . This stage of Pink’s life lacks any kind of grace, but still he weens joy from the trashy world. It’s the trivial things―his daily routine getting drinks from the convenience store, his cat, the stories told by his coworkers―that all form this beautiful tapestry of sorrow. . . . The Garbage Times/White Ibis is a chaotic, dark, and hard to put down object." ―Heavy Feather Review “I love the pulse of Sam Pink’s sentences, the way they can hold the gorgeous and the grisly and the hilarious all at the same time. The Garbage Times/White Ibis thrilled me and messed me up, left me feeling a little dazed and a lot changed.” ―Laura van den Berg, author of The Third Hotel and Find Me "Sam Pink is the most important writer in America. This isn't hyperbole. In a world of literary Bing Crosbys, Sam Pink is our Little Richard. The Garbage Times/White Ibis is the voice of the new writing underground." ―Scott McClanahan, author of The Sarah Book and Hill William "Sam Pink's writing is exquisitely succulent―it stimulates my intellect, makes me laugh and smile and feel complex emotions, and delights me with its tenderness, novelty, intensity, concision, and surprises." ―Tao Lin, author of Trip and Taipei Praise for Sam Pink “Sam’s writing reminds me of Kurt Cobain’s or Eminem’s, with a mixture of anger and dead babies and umbilical cords. It alternates swiftly from humor and playfulness to isolation and sadness. You might read a piece through the first time laughing your ass off, but if you stay on the page long enough, let the words really sink in, you soon realize, hey, this isn’t funny at all, actually, this is really fucked up and sick and heartbreaking as hell.” ―Elizabeth Ellen, editor of Short Flight/Long Drive Books Praise for Witch Piss “By eschewing a traditional plot and letting the voices of the characters tell their own tales, the author created an immersive novel built on oral tradition and street slang. When mixed with a touch of social critique and a good dose of humor, Witch Piss becomes one of Pink's most bizarre and daring offerings so far.” ―Bookslut “Witch Piss seemed to―please forgive the triteness of what I'm about to type―’give a real voice to the otherwise voiceless.’ Laughed out loud a lot while reading this book.” ―Jordan Castro, "My Favorite Art (and Other) Things of 2014," Hobart Praise for Person “How can you tell a story that is about nothing? Sam Pink’s Person, the Bizarro equivalent of Albert Camus’s The Stranger (as if The Stranger wasn’t already strange enough), does just that. Person is written in the first person, and it’s about a person, living in Chicago. That’s it―or at least, that’s about as much as we can say about it. Take this sentence though: 'I live in Chicago and I don’t get along with a lot of people and the reasons are always new and wonderful.' It’s poetry that reads like a book―or maybe vice versa. This is existentialist Bizarro Literature at its finest.” ―Flavorwire “A phenomenal achievement.” ―Mike Daily, author of Alarm and Valley “If you read just one book this year, let it be Sam Pink’s Person.” ―Electric Literature “One of the most exciting, most inspiring novelists currently writing.” ―Thought Catalog “It made me laugh and my hair stand on end.” ―HTMLGIANT “…there’s a troubling build-up of rage and self-destructive desire that makes Person incredibly unsettling. In other words, he’s a great example of why I carry Mace. ―The Fanzine “It’s a compulsive page-turner […] There’s something infectious, I think, about the honesty of the book, in how it relates the sometimes unflattering aspects of what goes on in a person’s daily life.” ―The Faster Times About the Author Sam Pink’s books include Witch Piss, Rontel, Hurt Others, The No Hellos Diet, and Person. His writing has been published widely in print and on the internet, and translated into other languages. He sells paintings from instagram.com/sam_pink_art. Excerpt. © Reprinted by permission. All rights reserved. From THE GARBAGE TIMES January It was a shitty winter. Seventeen people had died from the cold in Chicago. Temperatures well below zero or lots of snow. One person died when a six-foot icicle broke off a building. Haha. Shit. I was freezing, on my way to work at a bar just west of downtown. I’d been hatefully addressing my coat the whole walk to the train. Like, Fuck you, coat. You are not good. I just . . . ah fuck, I just hate you . . . The coat was ridiculous. I got it at the secondhand store. Think it was a hunting coat. Had duck pictures on the inside. It was the color of drug shit and half the buttons barely held. Useless. Useless! First time I wore it I put my hands in the pockets and felt something and took out two handfuls of leaf dust. And yes, I wanted to drop to my knees and hold the handfuls up and let them blow away as I screamed upward, ‘Fuck you coat, I hate you!’ Then scream, ‘Just kidding/we’re all trying!’ The wind burned my face. My eyes teared. I scraped ice off my mustache with my lower teeth, then scraped ice off the hair below my lip with my front teeth. Goodbye tiny icicles. Goodbye and that’s all. No more. No more! There were only two ways to keep warm. One was to give in and die, to sit your dumb ass down and let it happen. The other was to drum with your teeth while making fists in your pockets and repeatedly yelling ‘Fuck you’ in your head. That helped. That definitely helped. It was renewing in some way, which of course immediately passed. I saw two construction workers on the sidewalk. They huddled over a blue tarp with the head of a dog coming out the front. The dog shivered in one long body spasm, wheezing and honking, like ‘ung ung ung.’ One construction worker hugged the dog, rubbing up and down on its chest. ‘Yeah when he saw me, he got scared and slipped and fell into this ditch and the ice broke and he went into the water. I figured I can rub him and maybe he’ll warm up faster.’ ‘Oh fuck, he went in the water?’ ‘Yeah.’ ‘Fuck, what should we do, he’s gonna die.’ ‘I don’t know, guy.’ The dog stared at me as I passed. I wanted to teach him to drum with his teeth while screaming ‘Fuck you’ in his head. Because that was all he needed. But somehow it just didn’t matter. No. I scraped new icicles off my moustache with my bottom teeth. My eyes stuck shut for a few seconds. I made fists in my pockets and moaned. Took my hands out of my pockets and held my nose. One last gust of wind hit my face as I went down the stairs for the train. Haha, yeah, you win. But fuck you too. The train was already there, doors about to close. I ran and jumped in the closest car and went to the back and leaned against the door to the next car so I could be furthest away from/see everyone. There was puke on one of the seats and the window behind it―like someone not only puked, but his/her head filled with puke then exploded. Fuck yeah, that’s how you do it. It was the garbage times. * When I got to the bar, the sun had set. Fuck you, bar. I went down the alley and entered through the basement. I kicked an empty case of rum across the room and ducked under a garbage bag stapled to the ceiling to collect drips. The basement was filthy. There was garbage all over. Any job I’d ever had involved garbage. I had been, and always would be, a garbage man. And yes, I took great pride in my garbage pedigree. It was my calling. My very meaning. Something dripped on my head. I touched my head. Thick, dark green gel on my hand―like pureed spinach. Oh hello! I was just talking about you to someone! And how are you? Nice. I wiped my hand on my pants. Garbage garbage, all my beautiful friends. First I did dumpsters. The dumpsters were full of broken glass and liquid collected from chutes connected upstairs. With that classic vinegar smell that cleared my face. Hoooo. Yeah. Some good shit. When I grabbed the handles on a dumpster I cut my hands on broken glass. I held up my hands to check on them. They were the smallest pieces of broken glass I’d ever seen. So small they could only be seen in certain angles. They were beautiful and I loved them and I smiled. I wheeled the dumpster to the back stairwell, up to the narrow concrete staircase. The staircase was covered in broken glass, with exposed nails along the handrails. I had to wheel the dumpsters up a rickety ramp chained up on either side of the stairs. I unchained the ramp and lined up the dumpster wheels. It was supposed to be something two people did but no one else did it so I just did it myself. Because it was the garbage times. Where best to just shut the fuck up and do what you had to do. From WHITE IBIS 1. ‘Just, whatever,’ I said, standing in a drugstore aisle with my girl. ‘Grab whatever’s gonna knock her out.’ It was 2 a.m. and we were buying allergy medicine to drug our cat, Dotty, for the move from Chicago to Tampa Bay. ‘This should knock her out,’ said my girl. A guy in the next aisle looked over. I noticed him but the girl didn’t. ‘We need to make sure she’s out-out,’ I said. ‘Like for good. We can’t have her waking up halfway there. We just can’t.’ ‘Yeah she can’t wake up,’ she said. ‘Once she’s out,’ I said, ‘we can stuff her in the cage and get her in the car. Then we’re home free.’ ‘Alright yeah,’ she said, shaking the pills. ‘These should do then.’ ‘Cool, so what do we do? Mash some up and put it in her dinner.’ ‘Yep.’ ‘Niiiiice,’ I said, smiling. My girl kissed me on the cheek. A couple hours later when the sun came up, I was still awake. Sitting on the broken couch we were leaving behind, in an otherwise empty apartment. An apartment that owed us nothing, not even a security deposit. Dotty pushed around a styrofoam bowl of drugged food while my girl took a shit. And the sun came in through the peephole behind me, projecting a flowing circle of rainbow colors onto the wall. Like a quarter-sized jellyfish. I sat there staring at it as it waved on the wall. A portal. An exit. Like I could’ve put my hands on either side of it and stepped in, to find something else. A new home. The next level. Something else. ‘Ready?’ I said, as my girl exited the bathroom holding her stomach. And we went through the portal. 2. We pulled up to her brother’s house in Tampa at 5 a.m. the next day. We were living there while her brother lived in New York. And we’d fit all our shit in her car. As I braked, a cymbal and some paintings fell forward and hit me in the neck. Dotty screamed, ‘oowwwwwwrrrrr’―covered in her own piss and shit [for the third time] and still awake. ‘We did it!’ I said, stepping outside into the humidity. The air carried the scent of some beautiful flower. And the insects beeped and whirred. I looked around at the dark bayou as it swayed in the moonlight. Florida. I had moved to Florida. The girl and I unpacked a couple things and brought them inside. Then we drank a bunch of water and had sex on the couch. She lay down next to me, breathing hard. She fell asleep and I lay with her, staring at a message on the kitchen whiteboard. Her parents lived nearby. And her mom, in red ink, had written, ‘Welcome Home! :)’ The other side of the sunlight portal. The next level. Something else. 3. I met many new kinds of animals in the bayou. In Chicago there were two kinds of animals: squirrels and rocks. But in Florida there were all kinds. There were armadillos, which were basically like small armored pigs that wobbled around at night, into and out of sewers. I badly wanted to pick one up and hold it like a baby or throw it like a football, but I found out they carried leprosy. So, uh, no thanks! Then there were possums, which were basically bigger/greasier rats. Like imagine a rat that broke a vial of some futuristic steroid over its head. Every time I saw one, they paused and glared at me in the moonlight, like, ‘Take a good look, yoomin.’ There were alligators. Bobcats. Snakes. Lizards everywhere. Millions of bugs, including one named after not being able to see it [which. for that very reason, was the worst.] Spiders and frogs and birds. All kinds of birds. Gawky-ass, ornate birds just walking around. Like this one that basically lived at the end of the driveway. Every time I went outside, it’d be shuffling around where the driveway met the street. Not really doing anything or going anywhere, just kind of pacing. With a long white neck and a really long orange beak, walking around like a dumbass on its stilt legs. Like what the fuck is this thing? It was out tonight when the girl and I got on our bikes to go to the gas station. ‘Yo, what’s up, pea-head,’ I said, as we pedaled past. The bird took a few steps in the other direction, head sideways, eyeing us. My girl laughed. ‘I love that thing,’ I said. ‘That’s a white ibis,’ she said. ‘My grammy knows them all.’ White ibis. Why, hello, white ibis. I really wanted the white ibis to like me and to be my friend. And to its credit, it―seemingly―did not. OK. Well. Hell, I understood. Made sense. ‘Fuckin pea-head,’ I said to myself, turning onto a slippery street. ‘Are you still talking about that bird,’ she said. ‘Hey, you wanna get black-out drunk.’ ‘No, goddamnit,’ I said, almost falling. I should’ve just fallen. The humidity covered everything. It was getting dark. And all the animals headed back to their corners, to wait for tomorrow.
